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EXHIBITIONS IN VALENCIA

Magnificent, wondrous, appealing, challenging, ridiculous and moving are just some of the expletives uttered at exhibitions in Valencia. Highly talented and famous local artists are shown regularly as well as some of the world’s greatest.

© Amazing Capitals / DeiaGreg

Valencia is a vibrant city, where happenings include concerts, theatre performances, an exhibit vernissage or finissage. Spontaneous celebrations, an opening, anniversary or a pop-up market can be thoroughly enjoyable too.

Happenings often take place with surprisingly little publicity. Just a few local nationals attend. Many in the expat community of Valencia adore these gatherings.

The calendar below offers expats a quick, easy and simple way to discover current activities all on one page.

 

By Vincent Green, Jun 19 2018

< July 2023 >
MondayTuesdayWednesdayThursdayFridaySaturdaySunday
          1Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM 2Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM
3Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM 4Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM 5The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 6The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 7The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 8The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 9The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum
10The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 11The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 12The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 13The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 14The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 15The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 16The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum
17The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 18The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 19The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 20The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 21The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 22The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 23The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum
24The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 25The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 26The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 27The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 28The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 29The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 30The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum
31The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum            
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 Exhibit

OCEANOGRAFIC VALENCIA

The Oceanografic in Valencia excites with surprising insights. Situated in the spectacular surroundings of the City of Arts and Sciences it is the largest aquarium in Europe. Avant-garde architecture creates a magnificent environment for faithfully reproduced marine ecosystems.

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MARINA DE VALENCIA

La Marina de València is a unique district that combines business, cultural and public activities in a maritime environment. Nestled cheerfully between the main beach of Valencia and commercial harbour, it is a phenomenal space that excites and surprises.

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OCEANOGRAFIC

STREET ART

Dog on blue deck

Pets in Valencia