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EXHIBITIONS IN VALENCIA

Magnificent, wondrous, appealing, challenging, ridiculous and moving are just some of the expletives uttered at exhibitions in Valencia. Highly talented and famous local artists are shown regularly as well as some of the world’s greatest.

© Amazing Capitals / DeiaGreg

Valencia is a vibrant city, where happenings include concerts, theatre performances, an exhibit vernissage or finissage. Spontaneous celebrations, an opening, anniversary or a pop-up market can be thoroughly enjoyable too.

Happenings often take place with surprisingly little publicity. Just a few local nationals attend. Many in the expat community of Valencia adore these gatherings.

The calendar below offers expats a quick, easy and simple way to discover current activities all on one page.

 

By Vincent Green, Jun 19 2018

< June 2023 >
MondayTuesdayWednesdayThursdayFridaySaturdaySunday
      1Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM 2Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM 3Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM 4Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM
5Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM 6Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM 7Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM 8Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM 9Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM 10Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM 11Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM
12Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM 13Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM 14Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM 15Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM 16Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM 17Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM 18Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM
19Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM 20Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM 21Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM 22Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM 23Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM 24Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM 25Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM
26Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM 27Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM 28Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM 29Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM 30Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM    
Categories
 Exhibit

OCEANOGRAFIC VALENCIA

The Oceanografic in Valencia excites with surprising insights. Situated in the spectacular surroundings of the City of Arts and Sciences it is the largest aquarium in Europe. Avant-garde architecture creates a magnificent environment for faithfully reproduced marine ecosystems.

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MARINA DE VALENCIA

La Marina de València is a unique district that combines business, cultural and public activities in a maritime environment. Nestled cheerfully between the main beach of Valencia and commercial harbour, it is a phenomenal space that excites and surprises.

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OCEANOGRAFIC

STREET ART

Dog on blue deck

Pets in Valencia