EXHIBITIONS IN VALENCIA
Magnificent, wondrous, appealing, challenging, ridiculous and moving are just some of the expletives uttered at exhibitions in Valencia. Highly talented and famous local artists are shown regularly as well as some of the world’s greatest.
Valencia is a vibrant city, where happenings include concerts, theatre performances, an exhibit vernissage or finissage. Spontaneous celebrations, an opening, anniversary or a pop-up market can be thoroughly enjoyable too.
Happenings often take place with surprisingly little publicity. Just a few local nationals attend. Many in the expat community of Valencia adore these gatherings.
The calendar below offers expats a quick, easy and simple way to discover current activities all on one page.
By Vincent Green, Jun 19 2018
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| Monday | Tuesday | Wednesday | Thursday | Friday | Saturday | Sunday | ||||
| 1Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures.
L'ETNO
The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history.
L'ETNO
Being an ArtistBeing an ArtistBeing an Artist. Julio González.
IVAM
The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular.
IVAM
PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology.
IVAM
PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media.
IVAM
Llorenç BarberLlorenç BarberLlorenç Barber. Archive of Listenings. Sound is one of the media that comes closest to ecology. The relationship between art, music and the environment has been one of the channels with the most presence in Llorenç Barber’s work. From the perception of the soundscape as a form of musical production to self-management processes, his pioneering work in sound art proposes a series of radical positions that are constantly updated.
IVAM
Scene IScene IScene I. Making landscape. In February 2024, the IVAM has turned 35 years old. For this reason, we are starting a series of exhibits that under the heading of Scenes from the IVAM Collection will show space-time combinations of our collections, in the form of assemblies that will allow us to know the multiple meanings of the works and documents that make up the IVAM collection.
IVAM
Gómez GarcíaGómez GarcíaVicente Gómez García. La passió artística per València.
MuVIM
FelicitadFelicitadFelicidad/Infelicidad El cartell com a mapa i territori il•lustrat de les contradiccions humanes MuVIM Felipe PantoneFelipe PantoneFELIPE PANTONE. PROSPECTIVA CCCC Eduardo ArroyoEduardo ArroyoEduardo Arroyo, una de las figuras clave del arte contemporáneo español más reciente, es el protagonista de la exposición de la Fundación Bancaja. Bancaja Foundation Retrats FemeninsRetrats FemeninsRetrats Femenins: Migrants” de Séfora Camazano. La exposición es un proyecto artístico que busca dar voz y visibilidad a las mujeres inmigrantes, cuyas historias personales y realidades son a menudo invisibilizadas y silenciadas. History Museum Memory of ArtMemory of ArtLuis Massoni: The Memory of Art Portraits, still lifes, landscapes, interiors, sketches and nudes together with poems and reflections by the artist make up the content of an anthological selection of over 130 works whose varied techniques and approaches are divided into six thematic areas Ceramics Museum MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum | 2Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures.
L'ETNO
The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history.
L'ETNO
Being an ArtistBeing an ArtistBeing an Artist. Julio González.
IVAM
The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular.
IVAM
PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology.
IVAM
PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media.
IVAM
Llorenç BarberLlorenç BarberLlorenç Barber. Archive of Listenings. Sound is one of the media that comes closest to ecology. The relationship between art, music and the environment has been one of the channels with the most presence in Llorenç Barber’s work. From the perception of the soundscape as a form of musical production to self-management processes, his pioneering work in sound art proposes a series of radical positions that are constantly updated.
IVAM
Scene IScene IScene I. Making landscape. In February 2024, the IVAM has turned 35 years old. For this reason, we are starting a series of exhibits that under the heading of Scenes from the IVAM Collection will show space-time combinations of our collections, in the form of assemblies that will allow us to know the multiple meanings of the works and documents that make up the IVAM collection.
IVAM
Gómez GarcíaGómez GarcíaVicente Gómez García. La passió artística per València.
MuVIM
FelicitadFelicitadFelicidad/Infelicidad El cartell com a mapa i territori il•lustrat de les contradiccions humanes MuVIM Felipe PantoneFelipe PantoneFELIPE PANTONE. PROSPECTIVA CCCC Eduardo ArroyoEduardo ArroyoEduardo Arroyo, una de las figuras clave del arte contemporáneo español más reciente, es el protagonista de la exposición de la Fundación Bancaja. Bancaja Foundation Retrats FemeninsRetrats FemeninsRetrats Femenins: Migrants” de Séfora Camazano. La exposición es un proyecto artístico que busca dar voz y visibilidad a las mujeres inmigrantes, cuyas historias personales y realidades son a menudo invisibilizadas y silenciadas. History Museum Memory of ArtMemory of ArtLuis Massoni: The Memory of Art Portraits, still lifes, landscapes, interiors, sketches and nudes together with poems and reflections by the artist make up the content of an anthological selection of over 130 works whose varied techniques and approaches are divided into six thematic areas Ceramics Museum MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum | 3Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures.
L'ETNO
The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history.
L'ETNO
Being an ArtistBeing an ArtistBeing an Artist. Julio González.
IVAM
The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular.
IVAM
PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology.
IVAM
PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media.
IVAM
Llorenç BarberLlorenç BarberLlorenç Barber. Archive of Listenings. Sound is one of the media that comes closest to ecology. The relationship between art, music and the environment has been one of the channels with the most presence in Llorenç Barber’s work. From the perception of the soundscape as a form of musical production to self-management processes, his pioneering work in sound art proposes a series of radical positions that are constantly updated.
IVAM
Scene IScene IScene I. Making landscape. In February 2024, the IVAM has turned 35 years old. For this reason, we are starting a series of exhibits that under the heading of Scenes from the IVAM Collection will show space-time combinations of our collections, in the form of assemblies that will allow us to know the multiple meanings of the works and documents that make up the IVAM collection.
IVAM
Gómez GarcíaGómez GarcíaVicente Gómez García. La passió artística per València.
MuVIM
FelicitadFelicitadFelicidad/Infelicidad El cartell com a mapa i territori il•lustrat de les contradiccions humanes MuVIM Felipe PantoneFelipe PantoneFELIPE PANTONE. PROSPECTIVA CCCC Eduardo ArroyoEduardo ArroyoEduardo Arroyo, una de las figuras clave del arte contemporáneo español más reciente, es el protagonista de la exposición de la Fundación Bancaja. Bancaja Foundation Retrats FemeninsRetrats FemeninsRetrats Femenins: Migrants” de Séfora Camazano. La exposición es un proyecto artístico que busca dar voz y visibilidad a las mujeres inmigrantes, cuyas historias personales y realidades son a menudo invisibilizadas y silenciadas. History Museum Memory of ArtMemory of ArtLuis Massoni: The Memory of Art Portraits, still lifes, landscapes, interiors, sketches and nudes together with poems and reflections by the artist make up the content of an anthological selection of over 130 works whose varied techniques and approaches are divided into six thematic areas Ceramics Museum MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum | 4Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures.
L'ETNO
The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history.
L'ETNO
Being an ArtistBeing an ArtistBeing an Artist. Julio González.
IVAM
The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular.
IVAM
PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology.
IVAM
PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media.
IVAM
Llorenç BarberLlorenç BarberLlorenç Barber. Archive of Listenings. Sound is one of the media that comes closest to ecology. The relationship between art, music and the environment has been one of the channels with the most presence in Llorenç Barber’s work. From the perception of the soundscape as a form of musical production to self-management processes, his pioneering work in sound art proposes a series of radical positions that are constantly updated.
IVAM
Scene IScene IScene I. Making landscape. In February 2024, the IVAM has turned 35 years old. For this reason, we are starting a series of exhibits that under the heading of Scenes from the IVAM Collection will show space-time combinations of our collections, in the form of assemblies that will allow us to know the multiple meanings of the works and documents that make up the IVAM collection.
IVAM
Gómez GarcíaGómez GarcíaVicente Gómez García. La passió artística per València.
MuVIM
FelicitadFelicitadFelicidad/Infelicidad El cartell com a mapa i territori il•lustrat de les contradiccions humanes MuVIM Felipe PantoneFelipe PantoneFELIPE PANTONE. PROSPECTIVA CCCC Eduardo ArroyoEduardo ArroyoEduardo Arroyo, una de las figuras clave del arte contemporáneo español más reciente, es el protagonista de la exposición de la Fundación Bancaja. Bancaja Foundation Retrats FemeninsRetrats FemeninsRetrats Femenins: Migrants” de Séfora Camazano. La exposición es un proyecto artístico que busca dar voz y visibilidad a las mujeres inmigrantes, cuyas historias personales y realidades son a menudo invisibilizadas y silenciadas. History Museum Memory of ArtMemory of ArtLuis Massoni: The Memory of Art Portraits, still lifes, landscapes, interiors, sketches and nudes together with poems and reflections by the artist make up the content of an anthological selection of over 130 works whose varied techniques and approaches are divided into six thematic areas Ceramics Museum MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum | 5Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures.
L'ETNO
The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history.
L'ETNO
Being an ArtistBeing an ArtistBeing an Artist. Julio González.
IVAM
The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular.
IVAM
PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology.
IVAM
PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media.
IVAM
Llorenç BarberLlorenç BarberLlorenç Barber. Archive of Listenings. Sound is one of the media that comes closest to ecology. The relationship between art, music and the environment has been one of the channels with the most presence in Llorenç Barber’s work. From the perception of the soundscape as a form of musical production to self-management processes, his pioneering work in sound art proposes a series of radical positions that are constantly updated.
IVAM
Scene IScene IScene I. Making landscape. In February 2024, the IVAM has turned 35 years old. For this reason, we are starting a series of exhibits that under the heading of Scenes from the IVAM Collection will show space-time combinations of our collections, in the form of assemblies that will allow us to know the multiple meanings of the works and documents that make up the IVAM collection.
IVAM
Gómez GarcíaGómez GarcíaVicente Gómez García. La passió artística per València.
MuVIM
FelicitadFelicitadFelicidad/Infelicidad El cartell com a mapa i territori il•lustrat de les contradiccions humanes MuVIM Felipe PantoneFelipe PantoneFELIPE PANTONE. PROSPECTIVA CCCC Eduardo ArroyoEduardo ArroyoEduardo Arroyo, una de las figuras clave del arte contemporáneo español más reciente, es el protagonista de la exposición de la Fundación Bancaja. Bancaja Foundation Retrats FemeninsRetrats FemeninsRetrats Femenins: Migrants” de Séfora Camazano. La exposición es un proyecto artístico que busca dar voz y visibilidad a las mujeres inmigrantes, cuyas historias personales y realidades son a menudo invisibilizadas y silenciadas. History Museum Memory of ArtMemory of ArtLuis Massoni: The Memory of Art Portraits, still lifes, landscapes, interiors, sketches and nudes together with poems and reflections by the artist make up the content of an anthological selection of over 130 works whose varied techniques and approaches are divided into six thematic areas Ceramics Museum MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum | 6Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures.
L'ETNO
The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history.
L'ETNO
Being an ArtistBeing an ArtistBeing an Artist. Julio González.
IVAM
The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular.
IVAM
PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology.
IVAM
PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media.
IVAM
Llorenç BarberLlorenç BarberLlorenç Barber. Archive of Listenings. Sound is one of the media that comes closest to ecology. The relationship between art, music and the environment has been one of the channels with the most presence in Llorenç Barber’s work. From the perception of the soundscape as a form of musical production to self-management processes, his pioneering work in sound art proposes a series of radical positions that are constantly updated.
IVAM
Scene IScene IScene I. Making landscape. In February 2024, the IVAM has turned 35 years old. For this reason, we are starting a series of exhibits that under the heading of Scenes from the IVAM Collection will show space-time combinations of our collections, in the form of assemblies that will allow us to know the multiple meanings of the works and documents that make up the IVAM collection.
IVAM
Gómez GarcíaGómez GarcíaVicente Gómez García. La passió artística per València.
MuVIM
FelicitadFelicitadFelicidad/Infelicidad El cartell com a mapa i territori il•lustrat de les contradiccions humanes MuVIM Felipe PantoneFelipe PantoneFELIPE PANTONE. PROSPECTIVA CCCC Eduardo ArroyoEduardo ArroyoEduardo Arroyo, una de las figuras clave del arte contemporáneo español más reciente, es el protagonista de la exposición de la Fundación Bancaja. Bancaja Foundation Retrats FemeninsRetrats FemeninsRetrats Femenins: Migrants” de Séfora Camazano. La exposición es un proyecto artístico que busca dar voz y visibilidad a las mujeres inmigrantes, cuyas historias personales y realidades son a menudo invisibilizadas y silenciadas. History Museum Memory of ArtMemory of ArtLuis Massoni: The Memory of Art Portraits, still lifes, landscapes, interiors, sketches and nudes together with poems and reflections by the artist make up the content of an anthological selection of over 130 works whose varied techniques and approaches are divided into six thematic areas Ceramics Museum MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum | 7Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures.
L'ETNO
The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history.
L'ETNO
Being an ArtistBeing an ArtistBeing an Artist. Julio González.
IVAM
The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular.
IVAM
PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology.
IVAM
PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media.
IVAM
Llorenç BarberLlorenç BarberLlorenç Barber. Archive of Listenings. Sound is one of the media that comes closest to ecology. The relationship between art, music and the environment has been one of the channels with the most presence in Llorenç Barber’s work. From the perception of the soundscape as a form of musical production to self-management processes, his pioneering work in sound art proposes a series of radical positions that are constantly updated.
IVAM
Scene IScene IScene I. Making landscape. In February 2024, the IVAM has turned 35 years old. For this reason, we are starting a series of exhibits that under the heading of Scenes from the IVAM Collection will show space-time combinations of our collections, in the form of assemblies that will allow us to know the multiple meanings of the works and documents that make up the IVAM collection.
IVAM
Gómez GarcíaGómez GarcíaVicente Gómez García. La passió artística per València.
MuVIM
FelicitadFelicitadFelicidad/Infelicidad El cartell com a mapa i territori il•lustrat de les contradiccions humanes MuVIM Felipe PantoneFelipe PantoneFELIPE PANTONE. PROSPECTIVA CCCC Eduardo ArroyoEduardo ArroyoEduardo Arroyo, una de las figuras clave del arte contemporáneo español más reciente, es el protagonista de la exposición de la Fundación Bancaja. Bancaja Foundation Retrats FemeninsRetrats FemeninsRetrats Femenins: Migrants” de Séfora Camazano. La exposición es un proyecto artístico que busca dar voz y visibilidad a las mujeres inmigrantes, cuyas historias personales y realidades son a menudo invisibilizadas y silenciadas. History Museum Memory of ArtMemory of ArtLuis Massoni: The Memory of Art Portraits, still lifes, landscapes, interiors, sketches and nudes together with poems and reflections by the artist make up the content of an anthological selection of over 130 works whose varied techniques and approaches are divided into six thematic areas Ceramics Museum MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum | ||||
| 8The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history.
L'ETNO
Being an ArtistBeing an ArtistBeing an Artist. Julio González.
IVAM
The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular.
IVAM
PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology.
IVAM
PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media.
IVAM
Llorenç BarberLlorenç BarberLlorenç Barber. Archive of Listenings. Sound is one of the media that comes closest to ecology. The relationship between art, music and the environment has been one of the channels with the most presence in Llorenç Barber’s work. From the perception of the soundscape as a form of musical production to self-management processes, his pioneering work in sound art proposes a series of radical positions that are constantly updated.
IVAM
Scene IScene IScene I. Making landscape. In February 2024, the IVAM has turned 35 years old. For this reason, we are starting a series of exhibits that under the heading of Scenes from the IVAM Collection will show space-time combinations of our collections, in the form of assemblies that will allow us to know the multiple meanings of the works and documents that make up the IVAM collection.
IVAM
Gómez GarcíaGómez GarcíaVicente Gómez García. La passió artística per València.
MuVIM
FelicitadFelicitadFelicidad/Infelicidad El cartell com a mapa i territori il•lustrat de les contradiccions humanes MuVIM Felipe PantoneFelipe PantoneFELIPE PANTONE. PROSPECTIVA CCCC Eduardo ArroyoEduardo ArroyoEduardo Arroyo, una de las figuras clave del arte contemporáneo español más reciente, es el protagonista de la exposición de la Fundación Bancaja. Bancaja Foundation Retrats FemeninsRetrats FemeninsRetrats Femenins: Migrants” de Séfora Camazano. La exposición es un proyecto artístico que busca dar voz y visibilidad a las mujeres inmigrantes, cuyas historias personales y realidades son a menudo invisibilizadas y silenciadas. History Museum Memory of ArtMemory of ArtLuis Massoni: The Memory of Art Portraits, still lifes, landscapes, interiors, sketches and nudes together with poems and reflections by the artist make up the content of an anthological selection of over 130 works whose varied techniques and approaches are divided into six thematic areas Ceramics Museum MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum | 9The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history.
L'ETNO
Being an ArtistBeing an ArtistBeing an Artist. Julio González.
IVAM
The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular.
IVAM
PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology.
IVAM
PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media.
IVAM
Llorenç BarberLlorenç BarberLlorenç Barber. Archive of Listenings. Sound is one of the media that comes closest to ecology. The relationship between art, music and the environment has been one of the channels with the most presence in Llorenç Barber’s work. From the perception of the soundscape as a form of musical production to self-management processes, his pioneering work in sound art proposes a series of radical positions that are constantly updated.
IVAM
Scene IScene IScene I. Making landscape. In February 2024, the IVAM has turned 35 years old. For this reason, we are starting a series of exhibits that under the heading of Scenes from the IVAM Collection will show space-time combinations of our collections, in the form of assemblies that will allow us to know the multiple meanings of the works and documents that make up the IVAM collection.
IVAM
Gómez GarcíaGómez GarcíaVicente Gómez García. La passió artística per València.
MuVIM
FelicitadFelicitadFelicidad/Infelicidad El cartell com a mapa i territori il•lustrat de les contradiccions humanes MuVIM Felipe PantoneFelipe PantoneFELIPE PANTONE. PROSPECTIVA CCCC Eduardo ArroyoEduardo ArroyoEduardo Arroyo, una de las figuras clave del arte contemporáneo español más reciente, es el protagonista de la exposición de la Fundación Bancaja. Bancaja Foundation Retrats FemeninsRetrats FemeninsRetrats Femenins: Migrants” de Séfora Camazano. La exposición es un proyecto artístico que busca dar voz y visibilidad a las mujeres inmigrantes, cuyas historias personales y realidades son a menudo invisibilizadas y silenciadas. History Museum Memory of ArtMemory of ArtLuis Massoni: The Memory of Art Portraits, still lifes, landscapes, interiors, sketches and nudes together with poems and reflections by the artist make up the content of an anthological selection of over 130 works whose varied techniques and approaches are divided into six thematic areas Ceramics Museum MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum | 10The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history.
L'ETNO
Being an ArtistBeing an ArtistBeing an Artist. Julio González.
IVAM
The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular.
IVAM
PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology.
IVAM
PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media.
IVAM
Llorenç BarberLlorenç BarberLlorenç Barber. Archive of Listenings. Sound is one of the media that comes closest to ecology. The relationship between art, music and the environment has been one of the channels with the most presence in Llorenç Barber’s work. From the perception of the soundscape as a form of musical production to self-management processes, his pioneering work in sound art proposes a series of radical positions that are constantly updated.
IVAM
Scene IScene IScene I. Making landscape. In February 2024, the IVAM has turned 35 years old. For this reason, we are starting a series of exhibits that under the heading of Scenes from the IVAM Collection will show space-time combinations of our collections, in the form of assemblies that will allow us to know the multiple meanings of the works and documents that make up the IVAM collection.
IVAM
Gómez GarcíaGómez GarcíaVicente Gómez García. La passió artística per València.
MuVIM
FelicitadFelicitadFelicidad/Infelicidad El cartell com a mapa i territori il•lustrat de les contradiccions humanes MuVIM Felipe PantoneFelipe PantoneFELIPE PANTONE. PROSPECTIVA CCCC Eduardo ArroyoEduardo ArroyoEduardo Arroyo, una de las figuras clave del arte contemporáneo español más reciente, es el protagonista de la exposición de la Fundación Bancaja. Bancaja Foundation Retrats FemeninsRetrats FemeninsRetrats Femenins: Migrants” de Séfora Camazano. La exposición es un proyecto artístico que busca dar voz y visibilidad a las mujeres inmigrantes, cuyas historias personales y realidades son a menudo invisibilizadas y silenciadas. History Museum Memory of ArtMemory of ArtLuis Massoni: The Memory of Art Portraits, still lifes, landscapes, interiors, sketches and nudes together with poems and reflections by the artist make up the content of an anthological selection of over 130 works whose varied techniques and approaches are divided into six thematic areas Ceramics Museum MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum | 11The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history.
L'ETNO
Being an ArtistBeing an ArtistBeing an Artist. Julio González.
IVAM
The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular.
IVAM
PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology.
IVAM
PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media.
IVAM
Llorenç BarberLlorenç BarberLlorenç Barber. Archive of Listenings. Sound is one of the media that comes closest to ecology. The relationship between art, music and the environment has been one of the channels with the most presence in Llorenç Barber’s work. From the perception of the soundscape as a form of musical production to self-management processes, his pioneering work in sound art proposes a series of radical positions that are constantly updated.
IVAM
Scene IScene IScene I. Making landscape. In February 2024, the IVAM has turned 35 years old. For this reason, we are starting a series of exhibits that under the heading of Scenes from the IVAM Collection will show space-time combinations of our collections, in the form of assemblies that will allow us to know the multiple meanings of the works and documents that make up the IVAM collection.
IVAM
Gómez GarcíaGómez GarcíaVicente Gómez García. La passió artística per València.
MuVIM
FelicitadFelicitadFelicidad/Infelicidad El cartell com a mapa i territori il•lustrat de les contradiccions humanes MuVIM Felipe PantoneFelipe PantoneFELIPE PANTONE. PROSPECTIVA CCCC Eduardo ArroyoEduardo ArroyoEduardo Arroyo, una de las figuras clave del arte contemporáneo español más reciente, es el protagonista de la exposición de la Fundación Bancaja. Bancaja Foundation Retrats FemeninsRetrats FemeninsRetrats Femenins: Migrants” de Séfora Camazano. La exposición es un proyecto artístico que busca dar voz y visibilidad a las mujeres inmigrantes, cuyas historias personales y realidades son a menudo invisibilizadas y silenciadas. History Museum Memory of ArtMemory of ArtLuis Massoni: The Memory of Art Portraits, still lifes, landscapes, interiors, sketches and nudes together with poems and reflections by the artist make up the content of an anthological selection of over 130 works whose varied techniques and approaches are divided into six thematic areas Ceramics Museum MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum | 12The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history.
L'ETNO
Being an ArtistBeing an ArtistBeing an Artist. Julio González.
IVAM
The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular.
IVAM
PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology.
IVAM
PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media.
IVAM
Llorenç BarberLlorenç BarberLlorenç Barber. Archive of Listenings. Sound is one of the media that comes closest to ecology. The relationship between art, music and the environment has been one of the channels with the most presence in Llorenç Barber’s work. From the perception of the soundscape as a form of musical production to self-management processes, his pioneering work in sound art proposes a series of radical positions that are constantly updated.
IVAM
Scene IScene IScene I. Making landscape. In February 2024, the IVAM has turned 35 years old. For this reason, we are starting a series of exhibits that under the heading of Scenes from the IVAM Collection will show space-time combinations of our collections, in the form of assemblies that will allow us to know the multiple meanings of the works and documents that make up the IVAM collection.
IVAM
Gómez GarcíaGómez GarcíaVicente Gómez García. La passió artística per València.
MuVIM
FelicitadFelicitadFelicidad/Infelicidad El cartell com a mapa i territori il•lustrat de les contradiccions humanes MuVIM Felipe PantoneFelipe PantoneFELIPE PANTONE. PROSPECTIVA CCCC Eduardo ArroyoEduardo ArroyoEduardo Arroyo, una de las figuras clave del arte contemporáneo español más reciente, es el protagonista de la exposición de la Fundación Bancaja. Bancaja Foundation Retrats FemeninsRetrats FemeninsRetrats Femenins: Migrants” de Séfora Camazano. La exposición es un proyecto artístico que busca dar voz y visibilidad a las mujeres inmigrantes, cuyas historias personales y realidades son a menudo invisibilizadas y silenciadas. History Museum Memory of ArtMemory of ArtLuis Massoni: The Memory of Art Portraits, still lifes, landscapes, interiors, sketches and nudes together with poems and reflections by the artist make up the content of an anthological selection of over 130 works whose varied techniques and approaches are divided into six thematic areas Ceramics Museum MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum | 13The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history.
L'ETNO
Being an ArtistBeing an ArtistBeing an Artist. Julio González.
IVAM
The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular.
IVAM
PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology.
IVAM
PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media.
IVAM
Llorenç BarberLlorenç BarberLlorenç Barber. Archive of Listenings. Sound is one of the media that comes closest to ecology. The relationship between art, music and the environment has been one of the channels with the most presence in Llorenç Barber’s work. From the perception of the soundscape as a form of musical production to self-management processes, his pioneering work in sound art proposes a series of radical positions that are constantly updated.
IVAM
Scene IScene IScene I. Making landscape. In February 2024, the IVAM has turned 35 years old. For this reason, we are starting a series of exhibits that under the heading of Scenes from the IVAM Collection will show space-time combinations of our collections, in the form of assemblies that will allow us to know the multiple meanings of the works and documents that make up the IVAM collection.
IVAM
Gómez GarcíaGómez GarcíaVicente Gómez García. La passió artística per València.
MuVIM
FelicitadFelicitadFelicidad/Infelicidad El cartell com a mapa i territori il•lustrat de les contradiccions humanes MuVIM Felipe PantoneFelipe PantoneFELIPE PANTONE. PROSPECTIVA CCCC Eduardo ArroyoEduardo ArroyoEduardo Arroyo, una de las figuras clave del arte contemporáneo español más reciente, es el protagonista de la exposición de la Fundación Bancaja. Bancaja Foundation Retrats FemeninsRetrats FemeninsRetrats Femenins: Migrants” de Séfora Camazano. La exposición es un proyecto artístico que busca dar voz y visibilidad a las mujeres inmigrantes, cuyas historias personales y realidades son a menudo invisibilizadas y silenciadas. History Museum Memory of ArtMemory of ArtLuis Massoni: The Memory of Art Portraits, still lifes, landscapes, interiors, sketches and nudes together with poems and reflections by the artist make up the content of an anthological selection of over 130 works whose varied techniques and approaches are divided into six thematic areas Ceramics Museum MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum | 14The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history.
L'ETNO
Being an ArtistBeing an ArtistBeing an Artist. Julio González.
IVAM
The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular.
IVAM
PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology.
IVAM
PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media.
IVAM
Llorenç BarberLlorenç BarberLlorenç Barber. Archive of Listenings. Sound is one of the media that comes closest to ecology. The relationship between art, music and the environment has been one of the channels with the most presence in Llorenç Barber’s work. From the perception of the soundscape as a form of musical production to self-management processes, his pioneering work in sound art proposes a series of radical positions that are constantly updated.
IVAM
Scene IScene IScene I. Making landscape. In February 2024, the IVAM has turned 35 years old. For this reason, we are starting a series of exhibits that under the heading of Scenes from the IVAM Collection will show space-time combinations of our collections, in the form of assemblies that will allow us to know the multiple meanings of the works and documents that make up the IVAM collection.
IVAM
Gómez GarcíaGómez GarcíaVicente Gómez García. La passió artística per València.
MuVIM
FelicitadFelicitadFelicidad/Infelicidad El cartell com a mapa i territori il•lustrat de les contradiccions humanes MuVIM Felipe PantoneFelipe PantoneFELIPE PANTONE. PROSPECTIVA CCCC Eduardo ArroyoEduardo ArroyoEduardo Arroyo, una de las figuras clave del arte contemporáneo español más reciente, es el protagonista de la exposición de la Fundación Bancaja. Bancaja Foundation Retrats FemeninsRetrats FemeninsRetrats Femenins: Migrants” de Séfora Camazano. La exposición es un proyecto artístico que busca dar voz y visibilidad a las mujeres inmigrantes, cuyas historias personales y realidades son a menudo invisibilizadas y silenciadas. History Museum Memory of ArtMemory of ArtLuis Massoni: The Memory of Art Portraits, still lifes, landscapes, interiors, sketches and nudes together with poems and reflections by the artist make up the content of an anthological selection of over 130 works whose varied techniques and approaches are divided into six thematic areas Ceramics Museum MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum | ||||
| 15The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history.
L'ETNO
Being an ArtistBeing an ArtistBeing an Artist. Julio González.
IVAM
PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media.
IVAM
Llorenç BarberLlorenç BarberLlorenç Barber. Archive of Listenings. Sound is one of the media that comes closest to ecology. The relationship between art, music and the environment has been one of the channels with the most presence in Llorenç Barber’s work. From the perception of the soundscape as a form of musical production to self-management processes, his pioneering work in sound art proposes a series of radical positions that are constantly updated.
IVAM
Scene IScene IScene I. Making landscape. In February 2024, the IVAM has turned 35 years old. For this reason, we are starting a series of exhibits that under the heading of Scenes from the IVAM Collection will show space-time combinations of our collections, in the form of assemblies that will allow us to know the multiple meanings of the works and documents that make up the IVAM collection.
IVAM
Gómez GarcíaGómez GarcíaVicente Gómez García. La passió artística per València.
MuVIM
FelicitadFelicitadFelicidad/Infelicidad El cartell com a mapa i territori il•lustrat de les contradiccions humanes MuVIM Eduardo ArroyoEduardo ArroyoEduardo Arroyo, una de las figuras clave del arte contemporáneo español más reciente, es el protagonista de la exposición de la Fundación Bancaja. Bancaja Foundation Retrats FemeninsRetrats FemeninsRetrats Femenins: Migrants” de Séfora Camazano. La exposición es un proyecto artístico que busca dar voz y visibilidad a las mujeres inmigrantes, cuyas historias personales y realidades son a menudo invisibilizadas y silenciadas. History Museum Memory of ArtMemory of ArtLuis Massoni: The Memory of Art Portraits, still lifes, landscapes, interiors, sketches and nudes together with poems and reflections by the artist make up the content of an anthological selection of over 130 works whose varied techniques and approaches are divided into six thematic areas Ceramics Museum MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum | 16The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history.
L'ETNO
Being an ArtistBeing an ArtistBeing an Artist. Julio González.
IVAM
PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media.
IVAM
Llorenç BarberLlorenç BarberLlorenç Barber. Archive of Listenings. Sound is one of the media that comes closest to ecology. The relationship between art, music and the environment has been one of the channels with the most presence in Llorenç Barber’s work. From the perception of the soundscape as a form of musical production to self-management processes, his pioneering work in sound art proposes a series of radical positions that are constantly updated.
IVAM
Scene IScene IScene I. Making landscape. In February 2024, the IVAM has turned 35 years old. For this reason, we are starting a series of exhibits that under the heading of Scenes from the IVAM Collection will show space-time combinations of our collections, in the form of assemblies that will allow us to know the multiple meanings of the works and documents that make up the IVAM collection.
IVAM
Gómez GarcíaGómez GarcíaVicente Gómez García. La passió artística per València.
MuVIM
FelicitadFelicitadFelicidad/Infelicidad El cartell com a mapa i territori il•lustrat de les contradiccions humanes MuVIM Eduardo ArroyoEduardo ArroyoEduardo Arroyo, una de las figuras clave del arte contemporáneo español más reciente, es el protagonista de la exposición de la Fundación Bancaja. Bancaja Foundation Retrats FemeninsRetrats FemeninsRetrats Femenins: Migrants” de Séfora Camazano. La exposición es un proyecto artístico que busca dar voz y visibilidad a las mujeres inmigrantes, cuyas historias personales y realidades son a menudo invisibilizadas y silenciadas. History Museum Memory of ArtMemory of ArtLuis Massoni: The Memory of Art Portraits, still lifes, landscapes, interiors, sketches and nudes together with poems and reflections by the artist make up the content of an anthological selection of over 130 works whose varied techniques and approaches are divided into six thematic areas Ceramics Museum MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum | 17The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history.
L'ETNO
Being an ArtistBeing an ArtistBeing an Artist. Julio González.
IVAM
PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media.
IVAM
Llorenç BarberLlorenç BarberLlorenç Barber. Archive of Listenings. Sound is one of the media that comes closest to ecology. The relationship between art, music and the environment has been one of the channels with the most presence in Llorenç Barber’s work. From the perception of the soundscape as a form of musical production to self-management processes, his pioneering work in sound art proposes a series of radical positions that are constantly updated.
IVAM
Scene IScene IScene I. Making landscape. In February 2024, the IVAM has turned 35 years old. For this reason, we are starting a series of exhibits that under the heading of Scenes from the IVAM Collection will show space-time combinations of our collections, in the form of assemblies that will allow us to know the multiple meanings of the works and documents that make up the IVAM collection.
IVAM
Gómez GarcíaGómez GarcíaVicente Gómez García. La passió artística per València.
MuVIM
FelicitadFelicitadFelicidad/Infelicidad El cartell com a mapa i territori il•lustrat de les contradiccions humanes MuVIM Eduardo ArroyoEduardo ArroyoEduardo Arroyo, una de las figuras clave del arte contemporáneo español más reciente, es el protagonista de la exposición de la Fundación Bancaja. Bancaja Foundation Retrats FemeninsRetrats FemeninsRetrats Femenins: Migrants” de Séfora Camazano. La exposición es un proyecto artístico que busca dar voz y visibilidad a las mujeres inmigrantes, cuyas historias personales y realidades son a menudo invisibilizadas y silenciadas. History Museum Memory of ArtMemory of ArtLuis Massoni: The Memory of Art Portraits, still lifes, landscapes, interiors, sketches and nudes together with poems and reflections by the artist make up the content of an anthological selection of over 130 works whose varied techniques and approaches are divided into six thematic areas Ceramics Museum MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum | 18The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history.
L'ETNO
Being an ArtistBeing an ArtistBeing an Artist. Julio González.
IVAM
PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media.
IVAM
Llorenç BarberLlorenç BarberLlorenç Barber. Archive of Listenings. Sound is one of the media that comes closest to ecology. The relationship between art, music and the environment has been one of the channels with the most presence in Llorenç Barber’s work. From the perception of the soundscape as a form of musical production to self-management processes, his pioneering work in sound art proposes a series of radical positions that are constantly updated.
IVAM
Scene IScene IScene I. Making landscape. In February 2024, the IVAM has turned 35 years old. For this reason, we are starting a series of exhibits that under the heading of Scenes from the IVAM Collection will show space-time combinations of our collections, in the form of assemblies that will allow us to know the multiple meanings of the works and documents that make up the IVAM collection.
IVAM
Gómez GarcíaGómez GarcíaVicente Gómez García. La passió artística per València.
MuVIM
FelicitadFelicitadFelicidad/Infelicidad El cartell com a mapa i territori il•lustrat de les contradiccions humanes MuVIM Eduardo ArroyoEduardo ArroyoEduardo Arroyo, una de las figuras clave del arte contemporáneo español más reciente, es el protagonista de la exposición de la Fundación Bancaja. Bancaja Foundation Retrats FemeninsRetrats FemeninsRetrats Femenins: Migrants” de Séfora Camazano. La exposición es un proyecto artístico que busca dar voz y visibilidad a las mujeres inmigrantes, cuyas historias personales y realidades son a menudo invisibilizadas y silenciadas. History Museum Memory of ArtMemory of ArtLuis Massoni: The Memory of Art Portraits, still lifes, landscapes, interiors, sketches and nudes together with poems and reflections by the artist make up the content of an anthological selection of over 130 works whose varied techniques and approaches are divided into six thematic areas Ceramics Museum MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum | 19The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history.
L'ETNO
Being an ArtistBeing an ArtistBeing an Artist. Julio González.
IVAM
PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media.
IVAM
Llorenç BarberLlorenç BarberLlorenç Barber. Archive of Listenings. Sound is one of the media that comes closest to ecology. The relationship between art, music and the environment has been one of the channels with the most presence in Llorenç Barber’s work. From the perception of the soundscape as a form of musical production to self-management processes, his pioneering work in sound art proposes a series of radical positions that are constantly updated.
IVAM
Scene IScene IScene I. Making landscape. In February 2024, the IVAM has turned 35 years old. For this reason, we are starting a series of exhibits that under the heading of Scenes from the IVAM Collection will show space-time combinations of our collections, in the form of assemblies that will allow us to know the multiple meanings of the works and documents that make up the IVAM collection.
IVAM
Gómez GarcíaGómez GarcíaVicente Gómez García. La passió artística per València.
MuVIM
FelicitadFelicitadFelicidad/Infelicidad El cartell com a mapa i territori il•lustrat de les contradiccions humanes MuVIM Eduardo ArroyoEduardo ArroyoEduardo Arroyo, una de las figuras clave del arte contemporáneo español más reciente, es el protagonista de la exposición de la Fundación Bancaja. Bancaja Foundation Retrats FemeninsRetrats FemeninsRetrats Femenins: Migrants” de Séfora Camazano. La exposición es un proyecto artístico que busca dar voz y visibilidad a las mujeres inmigrantes, cuyas historias personales y realidades son a menudo invisibilizadas y silenciadas. History Museum Memory of ArtMemory of ArtLuis Massoni: The Memory of Art Portraits, still lifes, landscapes, interiors, sketches and nudes together with poems and reflections by the artist make up the content of an anthological selection of over 130 works whose varied techniques and approaches are divided into six thematic areas Ceramics Museum MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum | 20The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history.
L'ETNO
Being an ArtistBeing an ArtistBeing an Artist. Julio González.
IVAM
PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media.
IVAM
Llorenç BarberLlorenç BarberLlorenç Barber. Archive of Listenings. Sound is one of the media that comes closest to ecology. The relationship between art, music and the environment has been one of the channels with the most presence in Llorenç Barber’s work. From the perception of the soundscape as a form of musical production to self-management processes, his pioneering work in sound art proposes a series of radical positions that are constantly updated.
IVAM
Scene IScene IScene I. Making landscape. In February 2024, the IVAM has turned 35 years old. For this reason, we are starting a series of exhibits that under the heading of Scenes from the IVAM Collection will show space-time combinations of our collections, in the form of assemblies that will allow us to know the multiple meanings of the works and documents that make up the IVAM collection.
IVAM
Gómez GarcíaGómez GarcíaVicente Gómez García. La passió artística per València.
MuVIM
FelicitadFelicitadFelicidad/Infelicidad El cartell com a mapa i territori il•lustrat de les contradiccions humanes MuVIM Eduardo ArroyoEduardo ArroyoEduardo Arroyo, una de las figuras clave del arte contemporáneo español más reciente, es el protagonista de la exposición de la Fundación Bancaja. Bancaja Foundation Retrats FemeninsRetrats FemeninsRetrats Femenins: Migrants” de Séfora Camazano. La exposición es un proyecto artístico que busca dar voz y visibilidad a las mujeres inmigrantes, cuyas historias personales y realidades son a menudo invisibilizadas y silenciadas. History Museum Memory of ArtMemory of ArtLuis Massoni: The Memory of Art Portraits, still lifes, landscapes, interiors, sketches and nudes together with poems and reflections by the artist make up the content of an anthological selection of over 130 works whose varied techniques and approaches are divided into six thematic areas Ceramics Museum MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum | 21The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history.
L'ETNO
Being an ArtistBeing an ArtistBeing an Artist. Julio González.
IVAM
PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media.
IVAM
Llorenç BarberLlorenç BarberLlorenç Barber. Archive of Listenings. Sound is one of the media that comes closest to ecology. The relationship between art, music and the environment has been one of the channels with the most presence in Llorenç Barber’s work. From the perception of the soundscape as a form of musical production to self-management processes, his pioneering work in sound art proposes a series of radical positions that are constantly updated.
IVAM
Scene IScene IScene I. Making landscape. In February 2024, the IVAM has turned 35 years old. For this reason, we are starting a series of exhibits that under the heading of Scenes from the IVAM Collection will show space-time combinations of our collections, in the form of assemblies that will allow us to know the multiple meanings of the works and documents that make up the IVAM collection.
IVAM
Gómez GarcíaGómez GarcíaVicente Gómez García. La passió artística per València.
MuVIM
FelicitadFelicitadFelicidad/Infelicidad El cartell com a mapa i territori il•lustrat de les contradiccions humanes MuVIM Eduardo ArroyoEduardo ArroyoEduardo Arroyo, una de las figuras clave del arte contemporáneo español más reciente, es el protagonista de la exposición de la Fundación Bancaja. Bancaja Foundation Retrats FemeninsRetrats FemeninsRetrats Femenins: Migrants” de Séfora Camazano. La exposición es un proyecto artístico que busca dar voz y visibilidad a las mujeres inmigrantes, cuyas historias personales y realidades son a menudo invisibilizadas y silenciadas. History Museum Memory of ArtMemory of ArtLuis Massoni: The Memory of Art Portraits, still lifes, landscapes, interiors, sketches and nudes together with poems and reflections by the artist make up the content of an anthological selection of over 130 works whose varied techniques and approaches are divided into six thematic areas Ceramics Museum MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum | ||||
| 22The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Being an ArtistBeing an ArtistBeing an Artist. Julio González. IVAM PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media. IVAM Llorenç BarberLlorenç BarberLlorenç Barber. Archive of Listenings. Sound is one of the media that comes closest to ecology. The relationship between art, music and the environment has been one of the channels with the most presence in Llorenç Barber’s work. From the perception of the soundscape as a form of musical production to self-management processes, his pioneering work in sound art proposes a series of radical positions that are constantly updated. IVAM Scene IScene IScene I. Making landscape. In February 2024, the IVAM has turned 35 years old. For this reason, we are starting a series of exhibits that under the heading of Scenes from the IVAM Collection will show space-time combinations of our collections, in the form of assemblies that will allow us to know the multiple meanings of the works and documents that make up the IVAM collection. IVAM Eduardo ArroyoEduardo ArroyoEduardo Arroyo, una de las figuras clave del arte contemporáneo español más reciente, es el protagonista de la exposición de la Fundación Bancaja. Bancaja Foundation Retrats FemeninsRetrats FemeninsRetrats Femenins: Migrants” de Séfora Camazano. La exposición es un proyecto artístico que busca dar voz y visibilidad a las mujeres inmigrantes, cuyas historias personales y realidades son a menudo invisibilizadas y silenciadas. History Museum Memory of ArtMemory of ArtLuis Massoni: The Memory of Art Portraits, still lifes, landscapes, interiors, sketches and nudes together with poems and reflections by the artist make up the content of an anthological selection of over 130 works whose varied techniques and approaches are divided into six thematic areas Ceramics Museum MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum | 23The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Being an ArtistBeing an ArtistBeing an Artist. Julio González. IVAM PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media. IVAM Llorenç BarberLlorenç BarberLlorenç Barber. Archive of Listenings. Sound is one of the media that comes closest to ecology. The relationship between art, music and the environment has been one of the channels with the most presence in Llorenç Barber’s work. From the perception of the soundscape as a form of musical production to self-management processes, his pioneering work in sound art proposes a series of radical positions that are constantly updated. IVAM Scene IScene IScene I. Making landscape. In February 2024, the IVAM has turned 35 years old. For this reason, we are starting a series of exhibits that under the heading of Scenes from the IVAM Collection will show space-time combinations of our collections, in the form of assemblies that will allow us to know the multiple meanings of the works and documents that make up the IVAM collection. IVAM Eduardo ArroyoEduardo ArroyoEduardo Arroyo, una de las figuras clave del arte contemporáneo español más reciente, es el protagonista de la exposición de la Fundación Bancaja. Bancaja Foundation Retrats FemeninsRetrats FemeninsRetrats Femenins: Migrants” de Séfora Camazano. La exposición es un proyecto artístico que busca dar voz y visibilidad a las mujeres inmigrantes, cuyas historias personales y realidades son a menudo invisibilizadas y silenciadas. History Museum Memory of ArtMemory of ArtLuis Massoni: The Memory of Art Portraits, still lifes, landscapes, interiors, sketches and nudes together with poems and reflections by the artist make up the content of an anthological selection of over 130 works whose varied techniques and approaches are divided into six thematic areas Ceramics Museum MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum | 24The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Being an ArtistBeing an ArtistBeing an Artist. Julio González. IVAM PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media. IVAM Llorenç BarberLlorenç BarberLlorenç Barber. Archive of Listenings. Sound is one of the media that comes closest to ecology. The relationship between art, music and the environment has been one of the channels with the most presence in Llorenç Barber’s work. From the perception of the soundscape as a form of musical production to self-management processes, his pioneering work in sound art proposes a series of radical positions that are constantly updated. IVAM Scene IScene IScene I. Making landscape. In February 2024, the IVAM has turned 35 years old. For this reason, we are starting a series of exhibits that under the heading of Scenes from the IVAM Collection will show space-time combinations of our collections, in the form of assemblies that will allow us to know the multiple meanings of the works and documents that make up the IVAM collection. IVAM Eduardo ArroyoEduardo ArroyoEduardo Arroyo, una de las figuras clave del arte contemporáneo español más reciente, es el protagonista de la exposición de la Fundación Bancaja. Bancaja Foundation Retrats FemeninsRetrats FemeninsRetrats Femenins: Migrants” de Séfora Camazano. La exposición es un proyecto artístico que busca dar voz y visibilidad a las mujeres inmigrantes, cuyas historias personales y realidades son a menudo invisibilizadas y silenciadas. History Museum Memory of ArtMemory of ArtLuis Massoni: The Memory of Art Portraits, still lifes, landscapes, interiors, sketches and nudes together with poems and reflections by the artist make up the content of an anthological selection of over 130 works whose varied techniques and approaches are divided into six thematic areas Ceramics Museum MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum | 25IdentitiesIdentitiesPinazo: Identities IVAM The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Being an ArtistBeing an ArtistBeing an Artist. Julio González. IVAM PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media. IVAM Llorenç BarberLlorenç BarberLlorenç Barber. Archive of Listenings. Sound is one of the media that comes closest to ecology. The relationship between art, music and the environment has been one of the channels with the most presence in Llorenç Barber’s work. From the perception of the soundscape as a form of musical production to self-management processes, his pioneering work in sound art proposes a series of radical positions that are constantly updated. IVAM Scene IScene IScene I. Making landscape. In February 2024, the IVAM has turned 35 years old. For this reason, we are starting a series of exhibits that under the heading of Scenes from the IVAM Collection will show space-time combinations of our collections, in the form of assemblies that will allow us to know the multiple meanings of the works and documents that make up the IVAM collection. IVAM Eduardo ArroyoEduardo ArroyoEduardo Arroyo, una de las figuras clave del arte contemporáneo español más reciente, es el protagonista de la exposición de la Fundación Bancaja. Bancaja Foundation Retrats FemeninsRetrats FemeninsRetrats Femenins: Migrants” de Séfora Camazano. La exposición es un proyecto artístico que busca dar voz y visibilidad a las mujeres inmigrantes, cuyas historias personales y realidades son a menudo invisibilizadas y silenciadas. History Museum Memory of ArtMemory of ArtLuis Massoni: The Memory of Art Portraits, still lifes, landscapes, interiors, sketches and nudes together with poems and reflections by the artist make up the content of an anthological selection of over 130 works whose varied techniques and approaches are divided into six thematic areas Ceramics Museum MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum | 26IdentitiesIdentitiesPinazo: Identities IVAM The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Being an ArtistBeing an ArtistBeing an Artist. Julio González. IVAM PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media. IVAM Llorenç BarberLlorenç BarberLlorenç Barber. Archive of Listenings. Sound is one of the media that comes closest to ecology. The relationship between art, music and the environment has been one of the channels with the most presence in Llorenç Barber’s work. From the perception of the soundscape as a form of musical production to self-management processes, his pioneering work in sound art proposes a series of radical positions that are constantly updated. IVAM Scene IScene IScene I. Making landscape. In February 2024, the IVAM has turned 35 years old. For this reason, we are starting a series of exhibits that under the heading of Scenes from the IVAM Collection will show space-time combinations of our collections, in the form of assemblies that will allow us to know the multiple meanings of the works and documents that make up the IVAM collection. IVAM Eduardo ArroyoEduardo ArroyoEduardo Arroyo, una de las figuras clave del arte contemporáneo español más reciente, es el protagonista de la exposición de la Fundación Bancaja. Bancaja Foundation Retrats FemeninsRetrats FemeninsRetrats Femenins: Migrants” de Séfora Camazano. La exposición es un proyecto artístico que busca dar voz y visibilidad a las mujeres inmigrantes, cuyas historias personales y realidades son a menudo invisibilizadas y silenciadas. History Museum Memory of ArtMemory of ArtLuis Massoni: The Memory of Art Portraits, still lifes, landscapes, interiors, sketches and nudes together with poems and reflections by the artist make up the content of an anthological selection of over 130 works whose varied techniques and approaches are divided into six thematic areas Ceramics Museum MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum | 27IdentitiesIdentitiesPinazo: Identities IVAM The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Being an ArtistBeing an ArtistBeing an Artist. Julio González. IVAM PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media. IVAM Llorenç BarberLlorenç BarberLlorenç Barber. Archive of Listenings. Sound is one of the media that comes closest to ecology. The relationship between art, music and the environment has been one of the channels with the most presence in Llorenç Barber’s work. From the perception of the soundscape as a form of musical production to self-management processes, his pioneering work in sound art proposes a series of radical positions that are constantly updated. IVAM Scene IScene IScene I. Making landscape. In February 2024, the IVAM has turned 35 years old. For this reason, we are starting a series of exhibits that under the heading of Scenes from the IVAM Collection will show space-time combinations of our collections, in the form of assemblies that will allow us to know the multiple meanings of the works and documents that make up the IVAM collection. IVAM Eduardo ArroyoEduardo ArroyoEduardo Arroyo, una de las figuras clave del arte contemporáneo español más reciente, es el protagonista de la exposición de la Fundación Bancaja. Bancaja Foundation Retrats FemeninsRetrats FemeninsRetrats Femenins: Migrants” de Séfora Camazano. La exposición es un proyecto artístico que busca dar voz y visibilidad a las mujeres inmigrantes, cuyas historias personales y realidades son a menudo invisibilizadas y silenciadas. History Museum Memory of ArtMemory of ArtLuis Massoni: The Memory of Art Portraits, still lifes, landscapes, interiors, sketches and nudes together with poems and reflections by the artist make up the content of an anthological selection of over 130 works whose varied techniques and approaches are divided into six thematic areas Ceramics Museum MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum | 28IdentitiesIdentitiesPinazo: Identities IVAM The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Being an ArtistBeing an ArtistBeing an Artist. Julio González. IVAM PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media. IVAM Llorenç BarberLlorenç BarberLlorenç Barber. Archive of Listenings. Sound is one of the media that comes closest to ecology. The relationship between art, music and the environment has been one of the channels with the most presence in Llorenç Barber’s work. From the perception of the soundscape as a form of musical production to self-management processes, his pioneering work in sound art proposes a series of radical positions that are constantly updated. IVAM Scene IScene IScene I. Making landscape. In February 2024, the IVAM has turned 35 years old. For this reason, we are starting a series of exhibits that under the heading of Scenes from the IVAM Collection will show space-time combinations of our collections, in the form of assemblies that will allow us to know the multiple meanings of the works and documents that make up the IVAM collection. IVAM Eduardo ArroyoEduardo ArroyoEduardo Arroyo, una de las figuras clave del arte contemporáneo español más reciente, es el protagonista de la exposición de la Fundación Bancaja. Bancaja Foundation Retrats FemeninsRetrats FemeninsRetrats Femenins: Migrants” de Séfora Camazano. La exposición es un proyecto artístico que busca dar voz y visibilidad a las mujeres inmigrantes, cuyas historias personales y realidades son a menudo invisibilizadas y silenciadas. History Museum Memory of ArtMemory of ArtLuis Massoni: The Memory of Art Portraits, still lifes, landscapes, interiors, sketches and nudes together with poems and reflections by the artist make up the content of an anthological selection of over 130 works whose varied techniques and approaches are divided into six thematic areas Ceramics Museum MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum | ||||
| 29IdentitiesIdentitiesPinazo: Identities IVAM E.ac. EspacioE.ac. EspacioE.ac. Espacio arte contemporáneo Bancaja Foundation The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Being an ArtistBeing an ArtistBeing an Artist. Julio González. IVAM PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media. IVAM Llorenç BarberLlorenç BarberLlorenç Barber. Archive of Listenings. Sound is one of the media that comes closest to ecology. The relationship between art, music and the environment has been one of the channels with the most presence in Llorenç Barber’s work. From the perception of the soundscape as a form of musical production to self-management processes, his pioneering work in sound art proposes a series of radical positions that are constantly updated. IVAM Scene IScene IScene I. Making landscape. In February 2024, the IVAM has turned 35 years old. For this reason, we are starting a series of exhibits that under the heading of Scenes from the IVAM Collection will show space-time combinations of our collections, in the form of assemblies that will allow us to know the multiple meanings of the works and documents that make up the IVAM collection. IVAM Eduardo ArroyoEduardo ArroyoEduardo Arroyo, una de las figuras clave del arte contemporáneo español más reciente, es el protagonista de la exposición de la Fundación Bancaja. Bancaja Foundation Retrats FemeninsRetrats FemeninsRetrats Femenins: Migrants” de Séfora Camazano. La exposición es un proyecto artístico que busca dar voz y visibilidad a las mujeres inmigrantes, cuyas historias personales y realidades son a menudo invisibilizadas y silenciadas. History Museum Memory of ArtMemory of ArtLuis Massoni: The Memory of Art Portraits, still lifes, landscapes, interiors, sketches and nudes together with poems and reflections by the artist make up the content of an anthological selection of over 130 works whose varied techniques and approaches are divided into six thematic areas Ceramics Museum | 30IdentitiesIdentitiesPinazo: Identities IVAM E.ac. EspacioE.ac. EspacioE.ac. Espacio arte contemporáneo Bancaja Foundation The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Being an ArtistBeing an ArtistBeing an Artist. Julio González. IVAM PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media. IVAM Llorenç BarberLlorenç BarberLlorenç Barber. Archive of Listenings. Sound is one of the media that comes closest to ecology. The relationship between art, music and the environment has been one of the channels with the most presence in Llorenç Barber’s work. From the perception of the soundscape as a form of musical production to self-management processes, his pioneering work in sound art proposes a series of radical positions that are constantly updated. IVAM Scene IScene IScene I. Making landscape. In February 2024, the IVAM has turned 35 years old. For this reason, we are starting a series of exhibits that under the heading of Scenes from the IVAM Collection will show space-time combinations of our collections, in the form of assemblies that will allow us to know the multiple meanings of the works and documents that make up the IVAM collection. IVAM Eduardo ArroyoEduardo ArroyoEduardo Arroyo, una de las figuras clave del arte contemporáneo español más reciente, es el protagonista de la exposición de la Fundación Bancaja. Bancaja Foundation Retrats FemeninsRetrats FemeninsRetrats Femenins: Migrants” de Séfora Camazano. La exposición es un proyecto artístico que busca dar voz y visibilidad a las mujeres inmigrantes, cuyas historias personales y realidades son a menudo invisibilizadas y silenciadas. History Museum Memory of ArtMemory of ArtLuis Massoni: The Memory of Art Portraits, still lifes, landscapes, interiors, sketches and nudes together with poems and reflections by the artist make up the content of an anthological selection of over 130 works whose varied techniques and approaches are divided into six thematic areas Ceramics Museum | |||||||||
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OCEANOGRAFIC VALENCIA
The Oceanografic in Valencia excites with surprising insights. Situated in the spectacular surroundings of the City of Arts and Sciences it is the largest aquarium in Europe. Avant-garde architecture creates a magnificent environment for faithfully reproduced marine ecosystems.
MARINA DE VALENCIA
La Marina de València is a unique district that combines business, cultural and public activities in a maritime environment. Nestled cheerfully between the main beach of Valencia and commercial harbour, it is a phenomenal space that excites and surprises.
