EXHIBITIONS IN VALENCIA
Magnificent, wondrous, appealing, challenging, ridiculous and moving are just some of the expletives uttered at exhibitions in Valencia. Highly talented and famous local artists are shown regularly as well as some of the world’s greatest.
Valencia is a vibrant city, where happenings include concerts, theatre performances, an exhibit vernissage or finissage. Spontaneous celebrations, an opening, anniversary or a pop-up market can be thoroughly enjoyable too.
Happenings often take place with surprisingly little publicity. Just a few local nationals attend. Many in the expat community of Valencia adore these gatherings.
The calendar below offers expats a quick, easy and simple way to discover current activities all on one page.
By Vincent Green, Jun 19 2018
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| Monday | Tuesday | Wednesday | Thursday | Friday | Saturday | Sunday | ||||
| 1Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures.
L'ETNO
The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history.
L'ETNO
Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence.
However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men.
IVAM
PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics.
IVAM
Being an ArtistBeing an ArtistBeing an Artist. Julio González.
IVAM
The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular.
IVAM
PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology.
IVAM
PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media.
IVAM
Gómez GarcíaGómez GarcíaVicente Gómez García. La passió artística per València.
MuVIM
FelicitadFelicitadFelicidad/Infelicidad El cartell com a mapa i territori il•lustrat de les contradiccions humanes MuVIM BeyondBeyondBeyond the fence. La instalación de Tania Blancoa 'Más allá de la cerca. The Green Bubble MuVIM Lágrimas RojasLágrimas RojasLágrimas rojas. Olga Sinclair es una destacada artista plástica panameña que, en sus creaciones recientes, se caracteriza por la utilización de colores vibrantes. Como decía María Zambrano, los colores nacen para hacernos la luz asequible. Y Sinclair los combina de forma que sean capaces de transmitirnos su energía y alegría de vivir. MuVIM La HuellaLa HuellaLa huella de Roma Fina Arts Llorenç BarberLlorenç BarberLLORENÇ BARBER. LA CONSTRUCCIÓ D’UN NOSALTRES MÚLTIPLE CCCC Felipe PantoneFelipe PantoneFELIPE PANTONE. PROSPECTIVA CCCC Juan OlivaresJuan OlivaresJUAN OLIVARES. WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN. ALGO PARECIDO A LA LIBERTAD CCCC La FotografíaLa FotografíaLa fotografía esencial en tiempos de Sorolla Bancaja Foundation MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum | 2Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures.
L'ETNO
The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history.
L'ETNO
Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence.
However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men.
IVAM
PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics.
IVAM
Being an ArtistBeing an ArtistBeing an Artist. Julio González.
IVAM
The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular.
IVAM
PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology.
IVAM
PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media.
IVAM
Gómez GarcíaGómez GarcíaVicente Gómez García. La passió artística per València.
MuVIM
FelicitadFelicitadFelicidad/Infelicidad El cartell com a mapa i territori il•lustrat de les contradiccions humanes MuVIM BeyondBeyondBeyond the fence. La instalación de Tania Blancoa 'Más allá de la cerca. The Green Bubble MuVIM Lágrimas RojasLágrimas RojasLágrimas rojas. Olga Sinclair es una destacada artista plástica panameña que, en sus creaciones recientes, se caracteriza por la utilización de colores vibrantes. Como decía María Zambrano, los colores nacen para hacernos la luz asequible. Y Sinclair los combina de forma que sean capaces de transmitirnos su energía y alegría de vivir. MuVIM La HuellaLa HuellaLa huella de Roma Fina Arts Llorenç BarberLlorenç BarberLLORENÇ BARBER. LA CONSTRUCCIÓ D’UN NOSALTRES MÚLTIPLE CCCC Felipe PantoneFelipe PantoneFELIPE PANTONE. PROSPECTIVA CCCC Juan OlivaresJuan OlivaresJUAN OLIVARES. WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN. ALGO PARECIDO A LA LIBERTAD CCCC La FotografíaLa FotografíaLa fotografía esencial en tiempos de Sorolla Bancaja Foundation San FranciscoSan FranciscoSan Francisco y el Belén El objetivo de la muestra es destacar la figura de San Francisco de Asís como creador, según la tradición católica, del primer Belén en el siglo XIII. Ceramics Museum MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum | 3Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures.
L'ETNO
The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history.
L'ETNO
Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence.
However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men.
IVAM
PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics.
IVAM
Being an ArtistBeing an ArtistBeing an Artist. Julio González.
IVAM
The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular.
IVAM
PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology.
IVAM
PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media.
IVAM
Gómez GarcíaGómez GarcíaVicente Gómez García. La passió artística per València.
MuVIM
FelicitadFelicitadFelicidad/Infelicidad El cartell com a mapa i territori il•lustrat de les contradiccions humanes MuVIM BeyondBeyondBeyond the fence. La instalación de Tania Blancoa 'Más allá de la cerca. The Green Bubble MuVIM Lágrimas RojasLágrimas RojasLágrimas rojas. Olga Sinclair es una destacada artista plástica panameña que, en sus creaciones recientes, se caracteriza por la utilización de colores vibrantes. Como decía María Zambrano, los colores nacen para hacernos la luz asequible. Y Sinclair los combina de forma que sean capaces de transmitirnos su energía y alegría de vivir. MuVIM La HuellaLa HuellaLa huella de Roma Fina Arts Llorenç BarberLlorenç BarberLLORENÇ BARBER. LA CONSTRUCCIÓ D’UN NOSALTRES MÚLTIPLE CCCC Felipe PantoneFelipe PantoneFELIPE PANTONE. PROSPECTIVA CCCC Juan OlivaresJuan OlivaresJUAN OLIVARES. WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN. ALGO PARECIDO A LA LIBERTAD CCCC La FotografíaLa FotografíaLa fotografía esencial en tiempos de Sorolla Bancaja Foundation San FranciscoSan FranciscoSan Francisco y el Belén El objetivo de la muestra es destacar la figura de San Francisco de Asís como creador, según la tradición católica, del primer Belén en el siglo XIII. Ceramics Museum MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum | 4Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures.
L'ETNO
The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history.
L'ETNO
Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence.
However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men.
IVAM
PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics.
IVAM
Being an ArtistBeing an ArtistBeing an Artist. Julio González.
IVAM
The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular.
IVAM
PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology.
IVAM
PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media.
IVAM
Gómez GarcíaGómez GarcíaVicente Gómez García. La passió artística per València.
MuVIM
FelicitadFelicitadFelicidad/Infelicidad El cartell com a mapa i territori il•lustrat de les contradiccions humanes MuVIM BeyondBeyondBeyond the fence. La instalación de Tania Blancoa 'Más allá de la cerca. The Green Bubble MuVIM Lágrimas RojasLágrimas RojasLágrimas rojas. Olga Sinclair es una destacada artista plástica panameña que, en sus creaciones recientes, se caracteriza por la utilización de colores vibrantes. Como decía María Zambrano, los colores nacen para hacernos la luz asequible. Y Sinclair los combina de forma que sean capaces de transmitirnos su energía y alegría de vivir. MuVIM La HuellaLa HuellaLa huella de Roma Fina Arts Llorenç BarberLlorenç BarberLLORENÇ BARBER. LA CONSTRUCCIÓ D’UN NOSALTRES MÚLTIPLE CCCC Felipe PantoneFelipe PantoneFELIPE PANTONE. PROSPECTIVA CCCC Juan OlivaresJuan OlivaresJUAN OLIVARES. WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN. ALGO PARECIDO A LA LIBERTAD CCCC La FotografíaLa FotografíaLa fotografía esencial en tiempos de Sorolla Bancaja Foundation San FranciscoSan FranciscoSan Francisco y el Belén El objetivo de la muestra es destacar la figura de San Francisco de Asís como creador, según la tradición católica, del primer Belén en el siglo XIII. Ceramics Museum MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum | |||||||
| 5Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures.
L'ETNO
The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history.
L'ETNO
Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence.
However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men.
IVAM
PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics.
IVAM
Being an ArtistBeing an ArtistBeing an Artist. Julio González.
IVAM
The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular.
IVAM
PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology.
IVAM
PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media.
IVAM
Gómez GarcíaGómez GarcíaVicente Gómez García. La passió artística per València.
MuVIM
FelicitadFelicitadFelicidad/Infelicidad El cartell com a mapa i territori il•lustrat de les contradiccions humanes MuVIM BeyondBeyondBeyond the fence. La instalación de Tania Blancoa 'Más allá de la cerca. The Green Bubble MuVIM Lágrimas RojasLágrimas RojasLágrimas rojas. Olga Sinclair es una destacada artista plástica panameña que, en sus creaciones recientes, se caracteriza por la utilización de colores vibrantes. Como decía María Zambrano, los colores nacen para hacernos la luz asequible. Y Sinclair los combina de forma que sean capaces de transmitirnos su energía y alegría de vivir. MuVIM La HuellaLa HuellaLa huella de Roma Fina Arts Llorenç BarberLlorenç BarberLLORENÇ BARBER. LA CONSTRUCCIÓ D’UN NOSALTRES MÚLTIPLE CCCC Felipe PantoneFelipe PantoneFELIPE PANTONE. PROSPECTIVA CCCC Juan OlivaresJuan OlivaresJUAN OLIVARES. WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN. ALGO PARECIDO A LA LIBERTAD CCCC La FotografíaLa FotografíaLa fotografía esencial en tiempos de Sorolla Bancaja Foundation San FranciscoSan FranciscoSan Francisco y el Belén El objetivo de la muestra es destacar la figura de San Francisco de Asís como creador, según la tradición católica, del primer Belén en el siglo XIII. Ceramics Museum MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum | 6Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures.
L'ETNO
The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history.
L'ETNO
Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence.
However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men.
IVAM
PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics.
IVAM
Being an ArtistBeing an ArtistBeing an Artist. Julio González.
IVAM
The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular.
IVAM
PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology.
IVAM
PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media.
IVAM
Gómez GarcíaGómez GarcíaVicente Gómez García. La passió artística per València.
MuVIM
FelicitadFelicitadFelicidad/Infelicidad El cartell com a mapa i territori il•lustrat de les contradiccions humanes MuVIM BeyondBeyondBeyond the fence. La instalación de Tania Blancoa 'Más allá de la cerca. The Green Bubble MuVIM Lágrimas RojasLágrimas RojasLágrimas rojas. Olga Sinclair es una destacada artista plástica panameña que, en sus creaciones recientes, se caracteriza por la utilización de colores vibrantes. Como decía María Zambrano, los colores nacen para hacernos la luz asequible. Y Sinclair los combina de forma que sean capaces de transmitirnos su energía y alegría de vivir. MuVIM La HuellaLa HuellaLa huella de Roma Fina Arts Llorenç BarberLlorenç BarberLLORENÇ BARBER. LA CONSTRUCCIÓ D’UN NOSALTRES MÚLTIPLE CCCC Felipe PantoneFelipe PantoneFELIPE PANTONE. PROSPECTIVA CCCC Juan OlivaresJuan OlivaresJUAN OLIVARES. WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN. ALGO PARECIDO A LA LIBERTAD CCCC La FotografíaLa FotografíaLa fotografía esencial en tiempos de Sorolla Bancaja Foundation San FranciscoSan FranciscoSan Francisco y el Belén El objetivo de la muestra es destacar la figura de San Francisco de Asís como creador, según la tradición católica, del primer Belén en el siglo XIII. Ceramics Museum MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum | 7Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures.
L'ETNO
The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history.
L'ETNO
Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence.
However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men.
IVAM
PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics.
IVAM
Being an ArtistBeing an ArtistBeing an Artist. Julio González.
IVAM
The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular.
IVAM
PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology.
IVAM
PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media.
IVAM
Gómez GarcíaGómez GarcíaVicente Gómez García. La passió artística per València.
MuVIM
FelicitadFelicitadFelicidad/Infelicidad El cartell com a mapa i territori il•lustrat de les contradiccions humanes MuVIM BeyondBeyondBeyond the fence. La instalación de Tania Blancoa 'Más allá de la cerca. The Green Bubble MuVIM Lágrimas RojasLágrimas RojasLágrimas rojas. Olga Sinclair es una destacada artista plástica panameña que, en sus creaciones recientes, se caracteriza por la utilización de colores vibrantes. Como decía María Zambrano, los colores nacen para hacernos la luz asequible. Y Sinclair los combina de forma que sean capaces de transmitirnos su energía y alegría de vivir. MuVIM La HuellaLa HuellaLa huella de Roma Fina Arts Llorenç BarberLlorenç BarberLLORENÇ BARBER. LA CONSTRUCCIÓ D’UN NOSALTRES MÚLTIPLE CCCC Felipe PantoneFelipe PantoneFELIPE PANTONE. PROSPECTIVA CCCC Juan OlivaresJuan OlivaresJUAN OLIVARES. WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN. ALGO PARECIDO A LA LIBERTAD CCCC La FotografíaLa FotografíaLa fotografía esencial en tiempos de Sorolla Bancaja Foundation San FranciscoSan FranciscoSan Francisco y el Belén El objetivo de la muestra es destacar la figura de San Francisco de Asís como creador, según la tradición católica, del primer Belén en el siglo XIII. Ceramics Museum MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum | 8Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures.
L'ETNO
The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history.
L'ETNO
Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence.
However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men.
IVAM
PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics.
IVAM
Being an ArtistBeing an ArtistBeing an Artist. Julio González.
IVAM
The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular.
IVAM
PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology.
IVAM
PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media.
IVAM
Llorenç BarberLlorenç BarberLlorenç Barber. Archive of Listenings. Sound is one of the media that comes closest to ecology. The relationship between art, music and the environment has been one of the channels with the most presence in Llorenç Barber’s work. From the perception of the soundscape as a form of musical production to self-management processes, his pioneering work in sound art proposes a series of radical positions that are constantly updated.
IVAM
Gómez GarcíaGómez GarcíaVicente Gómez García. La passió artística per València.
MuVIM
FelicitadFelicitadFelicidad/Infelicidad El cartell com a mapa i territori il•lustrat de les contradiccions humanes MuVIM BeyondBeyondBeyond the fence. La instalación de Tania Blancoa 'Más allá de la cerca. The Green Bubble MuVIM Lágrimas RojasLágrimas RojasLágrimas rojas. Olga Sinclair es una destacada artista plástica panameña que, en sus creaciones recientes, se caracteriza por la utilización de colores vibrantes. Como decía María Zambrano, los colores nacen para hacernos la luz asequible. Y Sinclair los combina de forma que sean capaces de transmitirnos su energía y alegría de vivir. MuVIM La HuellaLa HuellaLa huella de Roma Fina Arts Llorenç BarberLlorenç BarberLLORENÇ BARBER. LA CONSTRUCCIÓ D’UN NOSALTRES MÚLTIPLE CCCC Felipe PantoneFelipe PantoneFELIPE PANTONE. PROSPECTIVA CCCC Juan OlivaresJuan OlivaresJUAN OLIVARES. WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN. ALGO PARECIDO A LA LIBERTAD CCCC La FotografíaLa FotografíaLa fotografía esencial en tiempos de Sorolla Bancaja Foundation San FranciscoSan FranciscoSan Francisco y el Belén El objetivo de la muestra es destacar la figura de San Francisco de Asís como creador, según la tradición católica, del primer Belén en el siglo XIII. Ceramics Museum MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum | 9Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures.
L'ETNO
The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history.
L'ETNO
Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence.
However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men.
IVAM
PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics.
IVAM
Being an ArtistBeing an ArtistBeing an Artist. Julio González.
IVAM
The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular.
IVAM
PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology.
IVAM
PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media.
IVAM
Llorenç BarberLlorenç BarberLlorenç Barber. Archive of Listenings. Sound is one of the media that comes closest to ecology. The relationship between art, music and the environment has been one of the channels with the most presence in Llorenç Barber’s work. From the perception of the soundscape as a form of musical production to self-management processes, his pioneering work in sound art proposes a series of radical positions that are constantly updated.
IVAM
Gómez GarcíaGómez GarcíaVicente Gómez García. La passió artística per València.
MuVIM
FelicitadFelicitadFelicidad/Infelicidad El cartell com a mapa i territori il•lustrat de les contradiccions humanes MuVIM BeyondBeyondBeyond the fence. La instalación de Tania Blancoa 'Más allá de la cerca. The Green Bubble MuVIM Lágrimas RojasLágrimas RojasLágrimas rojas. Olga Sinclair es una destacada artista plástica panameña que, en sus creaciones recientes, se caracteriza por la utilización de colores vibrantes. Como decía María Zambrano, los colores nacen para hacernos la luz asequible. Y Sinclair los combina de forma que sean capaces de transmitirnos su energía y alegría de vivir. MuVIM La HuellaLa HuellaLa huella de Roma Fina Arts Llorenç BarberLlorenç BarberLLORENÇ BARBER. LA CONSTRUCCIÓ D’UN NOSALTRES MÚLTIPLE CCCC Felipe PantoneFelipe PantoneFELIPE PANTONE. PROSPECTIVA CCCC Juan OlivaresJuan OlivaresJUAN OLIVARES. WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN. ALGO PARECIDO A LA LIBERTAD CCCC La FotografíaLa FotografíaLa fotografía esencial en tiempos de Sorolla Bancaja Foundation San FranciscoSan FranciscoSan Francisco y el Belén El objetivo de la muestra es destacar la figura de San Francisco de Asís como creador, según la tradición católica, del primer Belén en el siglo XIII. Ceramics Museum MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum | 10Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures.
L'ETNO
The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history.
L'ETNO
Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence.
However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men.
IVAM
PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics.
IVAM
Being an ArtistBeing an ArtistBeing an Artist. Julio González.
IVAM
The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular.
IVAM
PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology.
IVAM
PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media.
IVAM
Llorenç BarberLlorenç BarberLlorenç Barber. Archive of Listenings. Sound is one of the media that comes closest to ecology. The relationship between art, music and the environment has been one of the channels with the most presence in Llorenç Barber’s work. From the perception of the soundscape as a form of musical production to self-management processes, his pioneering work in sound art proposes a series of radical positions that are constantly updated.
IVAM
Gómez GarcíaGómez GarcíaVicente Gómez García. La passió artística per València.
MuVIM
FelicitadFelicitadFelicidad/Infelicidad El cartell com a mapa i territori il•lustrat de les contradiccions humanes MuVIM BeyondBeyondBeyond the fence. La instalación de Tania Blancoa 'Más allá de la cerca. The Green Bubble MuVIM Lágrimas RojasLágrimas RojasLágrimas rojas. Olga Sinclair es una destacada artista plástica panameña que, en sus creaciones recientes, se caracteriza por la utilización de colores vibrantes. Como decía María Zambrano, los colores nacen para hacernos la luz asequible. Y Sinclair los combina de forma que sean capaces de transmitirnos su energía y alegría de vivir. MuVIM La HuellaLa HuellaLa huella de Roma Fina Arts Llorenç BarberLlorenç BarberLLORENÇ BARBER. LA CONSTRUCCIÓ D’UN NOSALTRES MÚLTIPLE CCCC Felipe PantoneFelipe PantoneFELIPE PANTONE. PROSPECTIVA CCCC Juan OlivaresJuan OlivaresJUAN OLIVARES. WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN. ALGO PARECIDO A LA LIBERTAD CCCC La FotografíaLa FotografíaLa fotografía esencial en tiempos de Sorolla Bancaja Foundation San FranciscoSan FranciscoSan Francisco y el Belén El objetivo de la muestra es destacar la figura de San Francisco de Asís como creador, según la tradición católica, del primer Belén en el siglo XIII. Ceramics Museum MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum | 11Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures.
L'ETNO
The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history.
L'ETNO
Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence.
However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men.
IVAM
PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics.
IVAM
Being an ArtistBeing an ArtistBeing an Artist. Julio González.
IVAM
The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular.
IVAM
PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology.
IVAM
PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media.
IVAM
Llorenç BarberLlorenç BarberLlorenç Barber. Archive of Listenings. Sound is one of the media that comes closest to ecology. The relationship between art, music and the environment has been one of the channels with the most presence in Llorenç Barber’s work. From the perception of the soundscape as a form of musical production to self-management processes, his pioneering work in sound art proposes a series of radical positions that are constantly updated.
IVAM
Gómez GarcíaGómez GarcíaVicente Gómez García. La passió artística per València.
MuVIM
FelicitadFelicitadFelicidad/Infelicidad El cartell com a mapa i territori il•lustrat de les contradiccions humanes MuVIM BeyondBeyondBeyond the fence. La instalación de Tania Blancoa 'Más allá de la cerca. The Green Bubble MuVIM Lágrimas RojasLágrimas RojasLágrimas rojas. Olga Sinclair es una destacada artista plástica panameña que, en sus creaciones recientes, se caracteriza por la utilización de colores vibrantes. Como decía María Zambrano, los colores nacen para hacernos la luz asequible. Y Sinclair los combina de forma que sean capaces de transmitirnos su energía y alegría de vivir. MuVIM La HuellaLa HuellaLa huella de Roma Fina Arts Llorenç BarberLlorenç BarberLLORENÇ BARBER. LA CONSTRUCCIÓ D’UN NOSALTRES MÚLTIPLE CCCC Felipe PantoneFelipe PantoneFELIPE PANTONE. PROSPECTIVA CCCC Juan OlivaresJuan OlivaresJUAN OLIVARES. WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN. ALGO PARECIDO A LA LIBERTAD CCCC La FotografíaLa FotografíaLa fotografía esencial en tiempos de Sorolla Bancaja Foundation San FranciscoSan FranciscoSan Francisco y el Belén El objetivo de la muestra es destacar la figura de San Francisco de Asís como creador, según la tradición católica, del primer Belén en el siglo XIII. Ceramics Museum MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum | ||||
| 12Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures.
L'ETNO
The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history.
L'ETNO
Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence.
However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men.
IVAM
PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics.
IVAM
Being an ArtistBeing an ArtistBeing an Artist. Julio González.
IVAM
The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular.
IVAM
PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology.
IVAM
PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media.
IVAM
Llorenç BarberLlorenç BarberLlorenç Barber. Archive of Listenings. Sound is one of the media that comes closest to ecology. The relationship between art, music and the environment has been one of the channels with the most presence in Llorenç Barber’s work. From the perception of the soundscape as a form of musical production to self-management processes, his pioneering work in sound art proposes a series of radical positions that are constantly updated.
IVAM
Gómez GarcíaGómez GarcíaVicente Gómez García. La passió artística per València.
MuVIM
FelicitadFelicitadFelicidad/Infelicidad El cartell com a mapa i territori il•lustrat de les contradiccions humanes MuVIM BeyondBeyondBeyond the fence. La instalación de Tania Blancoa 'Más allá de la cerca. The Green Bubble MuVIM Lágrimas RojasLágrimas RojasLágrimas rojas. Olga Sinclair es una destacada artista plástica panameña que, en sus creaciones recientes, se caracteriza por la utilización de colores vibrantes. Como decía María Zambrano, los colores nacen para hacernos la luz asequible. Y Sinclair los combina de forma que sean capaces de transmitirnos su energía y alegría de vivir. MuVIM Llorenç BarberLlorenç BarberLLORENÇ BARBER. LA CONSTRUCCIÓ D’UN NOSALTRES MÚLTIPLE CCCC Felipe PantoneFelipe PantoneFELIPE PANTONE. PROSPECTIVA CCCC Juan OlivaresJuan OlivaresJUAN OLIVARES. WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN. ALGO PARECIDO A LA LIBERTAD CCCC La FotografíaLa FotografíaLa fotografía esencial en tiempos de Sorolla Bancaja Foundation San FranciscoSan FranciscoSan Francisco y el Belén El objetivo de la muestra es destacar la figura de San Francisco de Asís como creador, según la tradición católica, del primer Belén en el siglo XIII. Ceramics Museum MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum | 13Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures.
L'ETNO
The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history.
L'ETNO
Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence.
However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men.
IVAM
PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics.
IVAM
Being an ArtistBeing an ArtistBeing an Artist. Julio González.
IVAM
The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular.
IVAM
PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology.
IVAM
PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media.
IVAM
Llorenç BarberLlorenç BarberLlorenç Barber. Archive of Listenings. Sound is one of the media that comes closest to ecology. The relationship between art, music and the environment has been one of the channels with the most presence in Llorenç Barber’s work. From the perception of the soundscape as a form of musical production to self-management processes, his pioneering work in sound art proposes a series of radical positions that are constantly updated.
IVAM
Gómez GarcíaGómez GarcíaVicente Gómez García. La passió artística per València.
MuVIM
FelicitadFelicitadFelicidad/Infelicidad El cartell com a mapa i territori il•lustrat de les contradiccions humanes MuVIM BeyondBeyondBeyond the fence. La instalación de Tania Blancoa 'Más allá de la cerca. The Green Bubble MuVIM Lágrimas RojasLágrimas RojasLágrimas rojas. Olga Sinclair es una destacada artista plástica panameña que, en sus creaciones recientes, se caracteriza por la utilización de colores vibrantes. Como decía María Zambrano, los colores nacen para hacernos la luz asequible. Y Sinclair los combina de forma que sean capaces de transmitirnos su energía y alegría de vivir. MuVIM Llorenç BarberLlorenç BarberLLORENÇ BARBER. LA CONSTRUCCIÓ D’UN NOSALTRES MÚLTIPLE CCCC Felipe PantoneFelipe PantoneFELIPE PANTONE. PROSPECTIVA CCCC Juan OlivaresJuan OlivaresJUAN OLIVARES. WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN. ALGO PARECIDO A LA LIBERTAD CCCC La FotografíaLa FotografíaLa fotografía esencial en tiempos de Sorolla Bancaja Foundation San FranciscoSan FranciscoSan Francisco y el Belén El objetivo de la muestra es destacar la figura de San Francisco de Asís como creador, según la tradición católica, del primer Belén en el siglo XIII. Ceramics Museum MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum | 14Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures.
L'ETNO
The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history.
L'ETNO
Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence.
However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men.
IVAM
PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics.
IVAM
Being an ArtistBeing an ArtistBeing an Artist. Julio González.
IVAM
The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular.
IVAM
PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology.
IVAM
PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media.
IVAM
Llorenç BarberLlorenç BarberLlorenç Barber. Archive of Listenings. Sound is one of the media that comes closest to ecology. The relationship between art, music and the environment has been one of the channels with the most presence in Llorenç Barber’s work. From the perception of the soundscape as a form of musical production to self-management processes, his pioneering work in sound art proposes a series of radical positions that are constantly updated.
IVAM
Gómez GarcíaGómez GarcíaVicente Gómez García. La passió artística per València.
MuVIM
FelicitadFelicitadFelicidad/Infelicidad El cartell com a mapa i territori il•lustrat de les contradiccions humanes MuVIM BeyondBeyondBeyond the fence. La instalación de Tania Blancoa 'Más allá de la cerca. The Green Bubble MuVIM Lágrimas RojasLágrimas RojasLágrimas rojas. Olga Sinclair es una destacada artista plástica panameña que, en sus creaciones recientes, se caracteriza por la utilización de colores vibrantes. Como decía María Zambrano, los colores nacen para hacernos la luz asequible. Y Sinclair los combina de forma que sean capaces de transmitirnos su energía y alegría de vivir. MuVIM Llorenç BarberLlorenç BarberLLORENÇ BARBER. LA CONSTRUCCIÓ D’UN NOSALTRES MÚLTIPLE CCCC Felipe PantoneFelipe PantoneFELIPE PANTONE. PROSPECTIVA CCCC Juan OlivaresJuan OlivaresJUAN OLIVARES. WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN. ALGO PARECIDO A LA LIBERTAD CCCC La FotografíaLa FotografíaLa fotografía esencial en tiempos de Sorolla Bancaja Foundation San FranciscoSan FranciscoSan Francisco y el Belén El objetivo de la muestra es destacar la figura de San Francisco de Asís como creador, según la tradición católica, del primer Belén en el siglo XIII. Ceramics Museum MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum | 15Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures.
L'ETNO
The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history.
L'ETNO
Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence.
However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men.
IVAM
PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics.
IVAM
Being an ArtistBeing an ArtistBeing an Artist. Julio González.
IVAM
The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular.
IVAM
PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology.
IVAM
PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media.
IVAM
Llorenç BarberLlorenç BarberLlorenç Barber. Archive of Listenings. Sound is one of the media that comes closest to ecology. The relationship between art, music and the environment has been one of the channels with the most presence in Llorenç Barber’s work. From the perception of the soundscape as a form of musical production to self-management processes, his pioneering work in sound art proposes a series of radical positions that are constantly updated.
IVAM
Scene IScene IScene I. Making landscape. In February 2024, the IVAM has turned 35 years old. For this reason, we are starting a series of exhibits that under the heading of Scenes from the IVAM Collection will show space-time combinations of our collections, in the form of assemblies that will allow us to know the multiple meanings of the works and documents that make up the IVAM collection.
IVAM
Gómez GarcíaGómez GarcíaVicente Gómez García. La passió artística per València.
MuVIM
FelicitadFelicitadFelicidad/Infelicidad El cartell com a mapa i territori il•lustrat de les contradiccions humanes MuVIM BeyondBeyondBeyond the fence. La instalación de Tania Blancoa 'Más allá de la cerca. The Green Bubble MuVIM Lágrimas RojasLágrimas RojasLágrimas rojas. Olga Sinclair es una destacada artista plástica panameña que, en sus creaciones recientes, se caracteriza por la utilización de colores vibrantes. Como decía María Zambrano, los colores nacen para hacernos la luz asequible. Y Sinclair los combina de forma que sean capaces de transmitirnos su energía y alegría de vivir. MuVIM Llorenç BarberLlorenç BarberLLORENÇ BARBER. LA CONSTRUCCIÓ D’UN NOSALTRES MÚLTIPLE CCCC Felipe PantoneFelipe PantoneFELIPE PANTONE. PROSPECTIVA CCCC Juan OlivaresJuan OlivaresJUAN OLIVARES. WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN. ALGO PARECIDO A LA LIBERTAD CCCC La FotografíaLa FotografíaLa fotografía esencial en tiempos de Sorolla Bancaja Foundation San FranciscoSan FranciscoSan Francisco y el Belén El objetivo de la muestra es destacar la figura de San Francisco de Asís como creador, según la tradición católica, del primer Belén en el siglo XIII. Ceramics Museum MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum | 16Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures.
L'ETNO
The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history.
L'ETNO
Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence.
However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men.
IVAM
PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics.
IVAM
Being an ArtistBeing an ArtistBeing an Artist. Julio González.
IVAM
The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular.
IVAM
PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology.
IVAM
PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media.
IVAM
Llorenç BarberLlorenç BarberLlorenç Barber. Archive of Listenings. Sound is one of the media that comes closest to ecology. The relationship between art, music and the environment has been one of the channels with the most presence in Llorenç Barber’s work. From the perception of the soundscape as a form of musical production to self-management processes, his pioneering work in sound art proposes a series of radical positions that are constantly updated.
IVAM
Scene IScene IScene I. Making landscape. In February 2024, the IVAM has turned 35 years old. For this reason, we are starting a series of exhibits that under the heading of Scenes from the IVAM Collection will show space-time combinations of our collections, in the form of assemblies that will allow us to know the multiple meanings of the works and documents that make up the IVAM collection.
IVAM
Gómez GarcíaGómez GarcíaVicente Gómez García. La passió artística per València.
MuVIM
FelicitadFelicitadFelicidad/Infelicidad El cartell com a mapa i territori il•lustrat de les contradiccions humanes MuVIM BeyondBeyondBeyond the fence. La instalación de Tania Blancoa 'Más allá de la cerca. The Green Bubble MuVIM Lágrimas RojasLágrimas RojasLágrimas rojas. Olga Sinclair es una destacada artista plástica panameña que, en sus creaciones recientes, se caracteriza por la utilización de colores vibrantes. Como decía María Zambrano, los colores nacen para hacernos la luz asequible. Y Sinclair los combina de forma que sean capaces de transmitirnos su energía y alegría de vivir. MuVIM Llorenç BarberLlorenç BarberLLORENÇ BARBER. LA CONSTRUCCIÓ D’UN NOSALTRES MÚLTIPLE CCCC Felipe PantoneFelipe PantoneFELIPE PANTONE. PROSPECTIVA CCCC Juan OlivaresJuan OlivaresJUAN OLIVARES. WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN. ALGO PARECIDO A LA LIBERTAD CCCC La FotografíaLa FotografíaLa fotografía esencial en tiempos de Sorolla Bancaja Foundation San FranciscoSan FranciscoSan Francisco y el Belén El objetivo de la muestra es destacar la figura de San Francisco de Asís como creador, según la tradición católica, del primer Belén en el siglo XIII. Ceramics Museum MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum | 17Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures.
L'ETNO
The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history.
L'ETNO
Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence.
However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men.
IVAM
PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics.
IVAM
Being an ArtistBeing an ArtistBeing an Artist. Julio González.
IVAM
The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular.
IVAM
PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology.
IVAM
PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media.
IVAM
Llorenç BarberLlorenç BarberLlorenç Barber. Archive of Listenings. Sound is one of the media that comes closest to ecology. The relationship between art, music and the environment has been one of the channels with the most presence in Llorenç Barber’s work. From the perception of the soundscape as a form of musical production to self-management processes, his pioneering work in sound art proposes a series of radical positions that are constantly updated.
IVAM
Scene IScene IScene I. Making landscape. In February 2024, the IVAM has turned 35 years old. For this reason, we are starting a series of exhibits that under the heading of Scenes from the IVAM Collection will show space-time combinations of our collections, in the form of assemblies that will allow us to know the multiple meanings of the works and documents that make up the IVAM collection.
IVAM
Gómez GarcíaGómez GarcíaVicente Gómez García. La passió artística per València.
MuVIM
FelicitadFelicitadFelicidad/Infelicidad El cartell com a mapa i territori il•lustrat de les contradiccions humanes MuVIM BeyondBeyondBeyond the fence. La instalación de Tania Blancoa 'Más allá de la cerca. The Green Bubble MuVIM Lágrimas RojasLágrimas RojasLágrimas rojas. Olga Sinclair es una destacada artista plástica panameña que, en sus creaciones recientes, se caracteriza por la utilización de colores vibrantes. Como decía María Zambrano, los colores nacen para hacernos la luz asequible. Y Sinclair los combina de forma que sean capaces de transmitirnos su energía y alegría de vivir. MuVIM Llorenç BarberLlorenç BarberLLORENÇ BARBER. LA CONSTRUCCIÓ D’UN NOSALTRES MÚLTIPLE CCCC Felipe PantoneFelipe PantoneFELIPE PANTONE. PROSPECTIVA CCCC Juan OlivaresJuan OlivaresJUAN OLIVARES. WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN. ALGO PARECIDO A LA LIBERTAD CCCC La FotografíaLa FotografíaLa fotografía esencial en tiempos de Sorolla Bancaja Foundation San FranciscoSan FranciscoSan Francisco y el Belén El objetivo de la muestra es destacar la figura de San Francisco de Asís como creador, según la tradición católica, del primer Belén en el siglo XIII. Ceramics Museum MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum | 18Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures.
L'ETNO
The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history.
L'ETNO
Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence.
However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men.
IVAM
PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics.
IVAM
Being an ArtistBeing an ArtistBeing an Artist. Julio González.
IVAM
The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular.
IVAM
PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology.
IVAM
PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media.
IVAM
Llorenç BarberLlorenç BarberLlorenç Barber. Archive of Listenings. Sound is one of the media that comes closest to ecology. The relationship between art, music and the environment has been one of the channels with the most presence in Llorenç Barber’s work. From the perception of the soundscape as a form of musical production to self-management processes, his pioneering work in sound art proposes a series of radical positions that are constantly updated.
IVAM
Scene IScene IScene I. Making landscape. In February 2024, the IVAM has turned 35 years old. For this reason, we are starting a series of exhibits that under the heading of Scenes from the IVAM Collection will show space-time combinations of our collections, in the form of assemblies that will allow us to know the multiple meanings of the works and documents that make up the IVAM collection.
IVAM
Gómez GarcíaGómez GarcíaVicente Gómez García. La passió artística per València.
MuVIM
FelicitadFelicitadFelicidad/Infelicidad El cartell com a mapa i territori il•lustrat de les contradiccions humanes MuVIM BeyondBeyondBeyond the fence. La instalación de Tania Blancoa 'Más allá de la cerca. The Green Bubble MuVIM Lágrimas RojasLágrimas RojasLágrimas rojas. Olga Sinclair es una destacada artista plástica panameña que, en sus creaciones recientes, se caracteriza por la utilización de colores vibrantes. Como decía María Zambrano, los colores nacen para hacernos la luz asequible. Y Sinclair los combina de forma que sean capaces de transmitirnos su energía y alegría de vivir. MuVIM Llorenç BarberLlorenç BarberLLORENÇ BARBER. LA CONSTRUCCIÓ D’UN NOSALTRES MÚLTIPLE CCCC Felipe PantoneFelipe PantoneFELIPE PANTONE. PROSPECTIVA CCCC Juan OlivaresJuan OlivaresJUAN OLIVARES. WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN. ALGO PARECIDO A LA LIBERTAD CCCC La FotografíaLa FotografíaLa fotografía esencial en tiempos de Sorolla Bancaja Foundation San FranciscoSan FranciscoSan Francisco y el Belén El objetivo de la muestra es destacar la figura de San Francisco de Asís como creador, según la tradición católica, del primer Belén en el siglo XIII. Ceramics Museum MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum | ||||
| 19Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures.
L'ETNO
The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history.
L'ETNO
Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence.
However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men.
IVAM
PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics.
IVAM
Being an ArtistBeing an ArtistBeing an Artist. Julio González.
IVAM
The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular.
IVAM
PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology.
IVAM
PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media.
IVAM
Llorenç BarberLlorenç BarberLlorenç Barber. Archive of Listenings. Sound is one of the media that comes closest to ecology. The relationship between art, music and the environment has been one of the channels with the most presence in Llorenç Barber’s work. From the perception of the soundscape as a form of musical production to self-management processes, his pioneering work in sound art proposes a series of radical positions that are constantly updated.
IVAM
Scene IScene IScene I. Making landscape. In February 2024, the IVAM has turned 35 years old. For this reason, we are starting a series of exhibits that under the heading of Scenes from the IVAM Collection will show space-time combinations of our collections, in the form of assemblies that will allow us to know the multiple meanings of the works and documents that make up the IVAM collection.
IVAM
Gómez GarcíaGómez GarcíaVicente Gómez García. La passió artística per València.
MuVIM
FelicitadFelicitadFelicidad/Infelicidad El cartell com a mapa i territori il•lustrat de les contradiccions humanes MuVIM BeyondBeyondBeyond the fence. La instalación de Tania Blancoa 'Más allá de la cerca. The Green Bubble MuVIM Lágrimas RojasLágrimas RojasLágrimas rojas. Olga Sinclair es una destacada artista plástica panameña que, en sus creaciones recientes, se caracteriza por la utilización de colores vibrantes. Como decía María Zambrano, los colores nacen para hacernos la luz asequible. Y Sinclair los combina de forma que sean capaces de transmitirnos su energía y alegría de vivir. MuVIM Llorenç BarberLlorenç BarberLLORENÇ BARBER. LA CONSTRUCCIÓ D’UN NOSALTRES MÚLTIPLE CCCC Felipe PantoneFelipe PantoneFELIPE PANTONE. PROSPECTIVA CCCC Juan OlivaresJuan OlivaresJUAN OLIVARES. WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN. ALGO PARECIDO A LA LIBERTAD CCCC La FotografíaLa FotografíaLa fotografía esencial en tiempos de Sorolla Bancaja Foundation San FranciscoSan FranciscoSan Francisco y el Belén El objetivo de la muestra es destacar la figura de San Francisco de Asís como creador, según la tradición católica, del primer Belén en el siglo XIII. Ceramics Museum MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum | 20Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures.
L'ETNO
The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history.
L'ETNO
Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence.
However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men.
IVAM
PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics.
IVAM
Being an ArtistBeing an ArtistBeing an Artist. Julio González.
IVAM
The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular.
IVAM
PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology.
IVAM
PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media.
IVAM
Llorenç BarberLlorenç BarberLlorenç Barber. Archive of Listenings. Sound is one of the media that comes closest to ecology. The relationship between art, music and the environment has been one of the channels with the most presence in Llorenç Barber’s work. From the perception of the soundscape as a form of musical production to self-management processes, his pioneering work in sound art proposes a series of radical positions that are constantly updated.
IVAM
Scene IScene IScene I. Making landscape. In February 2024, the IVAM has turned 35 years old. For this reason, we are starting a series of exhibits that under the heading of Scenes from the IVAM Collection will show space-time combinations of our collections, in the form of assemblies that will allow us to know the multiple meanings of the works and documents that make up the IVAM collection.
IVAM
Gómez GarcíaGómez GarcíaVicente Gómez García. La passió artística per València.
MuVIM
FelicitadFelicitadFelicidad/Infelicidad El cartell com a mapa i territori il•lustrat de les contradiccions humanes MuVIM BeyondBeyondBeyond the fence. La instalación de Tania Blancoa 'Más allá de la cerca. The Green Bubble MuVIM Lágrimas RojasLágrimas RojasLágrimas rojas. Olga Sinclair es una destacada artista plástica panameña que, en sus creaciones recientes, se caracteriza por la utilización de colores vibrantes. Como decía María Zambrano, los colores nacen para hacernos la luz asequible. Y Sinclair los combina de forma que sean capaces de transmitirnos su energía y alegría de vivir. MuVIM Llorenç BarberLlorenç BarberLLORENÇ BARBER. LA CONSTRUCCIÓ D’UN NOSALTRES MÚLTIPLE CCCC Felipe PantoneFelipe PantoneFELIPE PANTONE. PROSPECTIVA CCCC Juan OlivaresJuan OlivaresJUAN OLIVARES. WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN. ALGO PARECIDO A LA LIBERTAD CCCC La FotografíaLa FotografíaLa fotografía esencial en tiempos de Sorolla Bancaja Foundation San FranciscoSan FranciscoSan Francisco y el Belén El objetivo de la muestra es destacar la figura de San Francisco de Asís como creador, según la tradición católica, del primer Belén en el siglo XIII. Ceramics Museum MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum | 21Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures.
L'ETNO
The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history.
L'ETNO
Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence.
However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men.
IVAM
PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics.
IVAM
Being an ArtistBeing an ArtistBeing an Artist. Julio González.
IVAM
The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular.
IVAM
PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology.
IVAM
PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media.
IVAM
Llorenç BarberLlorenç BarberLlorenç Barber. Archive of Listenings. Sound is one of the media that comes closest to ecology. The relationship between art, music and the environment has been one of the channels with the most presence in Llorenç Barber’s work. From the perception of the soundscape as a form of musical production to self-management processes, his pioneering work in sound art proposes a series of radical positions that are constantly updated.
IVAM
Scene IScene IScene I. Making landscape. In February 2024, the IVAM has turned 35 years old. For this reason, we are starting a series of exhibits that under the heading of Scenes from the IVAM Collection will show space-time combinations of our collections, in the form of assemblies that will allow us to know the multiple meanings of the works and documents that make up the IVAM collection.
IVAM
Gómez GarcíaGómez GarcíaVicente Gómez García. La passió artística per València.
MuVIM
FelicitadFelicitadFelicidad/Infelicidad El cartell com a mapa i territori il•lustrat de les contradiccions humanes MuVIM BeyondBeyondBeyond the fence. La instalación de Tania Blancoa 'Más allá de la cerca. The Green Bubble MuVIM Lágrimas RojasLágrimas RojasLágrimas rojas. Olga Sinclair es una destacada artista plástica panameña que, en sus creaciones recientes, se caracteriza por la utilización de colores vibrantes. Como decía María Zambrano, los colores nacen para hacernos la luz asequible. Y Sinclair los combina de forma que sean capaces de transmitirnos su energía y alegría de vivir. MuVIM Llorenç BarberLlorenç BarberLLORENÇ BARBER. LA CONSTRUCCIÓ D’UN NOSALTRES MÚLTIPLE CCCC Felipe PantoneFelipe PantoneFELIPE PANTONE. PROSPECTIVA CCCC Juan OlivaresJuan OlivaresJUAN OLIVARES. WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN. ALGO PARECIDO A LA LIBERTAD CCCC La FotografíaLa FotografíaLa fotografía esencial en tiempos de Sorolla Bancaja Foundation San FranciscoSan FranciscoSan Francisco y el Belén El objetivo de la muestra es destacar la figura de San Francisco de Asís como creador, según la tradición católica, del primer Belén en el siglo XIII. Ceramics Museum MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum | 22Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures.
L'ETNO
The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history.
L'ETNO
Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence.
However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men.
IVAM
PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics.
IVAM
Being an ArtistBeing an ArtistBeing an Artist. Julio González.
IVAM
The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular.
IVAM
PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology.
IVAM
PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media.
IVAM
Llorenç BarberLlorenç BarberLlorenç Barber. Archive of Listenings. Sound is one of the media that comes closest to ecology. The relationship between art, music and the environment has been one of the channels with the most presence in Llorenç Barber’s work. From the perception of the soundscape as a form of musical production to self-management processes, his pioneering work in sound art proposes a series of radical positions that are constantly updated.
IVAM
Scene IScene IScene I. Making landscape. In February 2024, the IVAM has turned 35 years old. For this reason, we are starting a series of exhibits that under the heading of Scenes from the IVAM Collection will show space-time combinations of our collections, in the form of assemblies that will allow us to know the multiple meanings of the works and documents that make up the IVAM collection.
IVAM
Gómez GarcíaGómez GarcíaVicente Gómez García. La passió artística per València.
MuVIM
FelicitadFelicitadFelicidad/Infelicidad El cartell com a mapa i territori il•lustrat de les contradiccions humanes MuVIM BeyondBeyondBeyond the fence. La instalación de Tania Blancoa 'Más allá de la cerca. The Green Bubble MuVIM Lágrimas RojasLágrimas RojasLágrimas rojas. Olga Sinclair es una destacada artista plástica panameña que, en sus creaciones recientes, se caracteriza por la utilización de colores vibrantes. Como decía María Zambrano, los colores nacen para hacernos la luz asequible. Y Sinclair los combina de forma que sean capaces de transmitirnos su energía y alegría de vivir. MuVIM Llorenç BarberLlorenç BarberLLORENÇ BARBER. LA CONSTRUCCIÓ D’UN NOSALTRES MÚLTIPLE CCCC Felipe PantoneFelipe PantoneFELIPE PANTONE. PROSPECTIVA CCCC Juan OlivaresJuan OlivaresJUAN OLIVARES. WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN. ALGO PARECIDO A LA LIBERTAD CCCC La FotografíaLa FotografíaLa fotografía esencial en tiempos de Sorolla Bancaja Foundation San FranciscoSan FranciscoSan Francisco y el Belén El objetivo de la muestra es destacar la figura de San Francisco de Asís como creador, según la tradición católica, del primer Belén en el siglo XIII. Ceramics Museum MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum | 23Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures.
L'ETNO
The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history.
L'ETNO
Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence.
However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men.
IVAM
PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics.
IVAM
Being an ArtistBeing an ArtistBeing an Artist. Julio González.
IVAM
The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular.
IVAM
PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology.
IVAM
PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media.
IVAM
Llorenç BarberLlorenç BarberLlorenç Barber. Archive of Listenings. Sound is one of the media that comes closest to ecology. The relationship between art, music and the environment has been one of the channels with the most presence in Llorenç Barber’s work. From the perception of the soundscape as a form of musical production to self-management processes, his pioneering work in sound art proposes a series of radical positions that are constantly updated.
IVAM
Scene IScene IScene I. Making landscape. In February 2024, the IVAM has turned 35 years old. For this reason, we are starting a series of exhibits that under the heading of Scenes from the IVAM Collection will show space-time combinations of our collections, in the form of assemblies that will allow us to know the multiple meanings of the works and documents that make up the IVAM collection.
IVAM
Gómez GarcíaGómez GarcíaVicente Gómez García. La passió artística per València.
MuVIM
FelicitadFelicitadFelicidad/Infelicidad El cartell com a mapa i territori il•lustrat de les contradiccions humanes MuVIM BeyondBeyondBeyond the fence. La instalación de Tania Blancoa 'Más allá de la cerca. The Green Bubble MuVIM Lágrimas RojasLágrimas RojasLágrimas rojas. Olga Sinclair es una destacada artista plástica panameña que, en sus creaciones recientes, se caracteriza por la utilización de colores vibrantes. Como decía María Zambrano, los colores nacen para hacernos la luz asequible. Y Sinclair los combina de forma que sean capaces de transmitirnos su energía y alegría de vivir. MuVIM Llorenç BarberLlorenç BarberLLORENÇ BARBER. LA CONSTRUCCIÓ D’UN NOSALTRES MÚLTIPLE CCCC Felipe PantoneFelipe PantoneFELIPE PANTONE. PROSPECTIVA CCCC Juan OlivaresJuan OlivaresJUAN OLIVARES. WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN. ALGO PARECIDO A LA LIBERTAD CCCC La FotografíaLa FotografíaLa fotografía esencial en tiempos de Sorolla Bancaja Foundation Eduardo ArroyoEduardo ArroyoEduardo Arroyo, una de las figuras clave del arte contemporáneo español más reciente, es el protagonista de la exposición de la Fundación Bancaja. Bancaja Foundation San FranciscoSan FranciscoSan Francisco y el Belén El objetivo de la muestra es destacar la figura de San Francisco de Asís como creador, según la tradición católica, del primer Belén en el siglo XIII. Ceramics Museum MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum | 24Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures.
L'ETNO
The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history.
L'ETNO
Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence.
However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men.
IVAM
PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics.
IVAM
Being an ArtistBeing an ArtistBeing an Artist. Julio González.
IVAM
The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular.
IVAM
PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology.
IVAM
PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media.
IVAM
Llorenç BarberLlorenç BarberLlorenç Barber. Archive of Listenings. Sound is one of the media that comes closest to ecology. The relationship between art, music and the environment has been one of the channels with the most presence in Llorenç Barber’s work. From the perception of the soundscape as a form of musical production to self-management processes, his pioneering work in sound art proposes a series of radical positions that are constantly updated.
IVAM
Scene IScene IScene I. Making landscape. In February 2024, the IVAM has turned 35 years old. For this reason, we are starting a series of exhibits that under the heading of Scenes from the IVAM Collection will show space-time combinations of our collections, in the form of assemblies that will allow us to know the multiple meanings of the works and documents that make up the IVAM collection.
IVAM
Gómez GarcíaGómez GarcíaVicente Gómez García. La passió artística per València.
MuVIM
FelicitadFelicitadFelicidad/Infelicidad El cartell com a mapa i territori il•lustrat de les contradiccions humanes MuVIM BeyondBeyondBeyond the fence. La instalación de Tania Blancoa 'Más allá de la cerca. The Green Bubble MuVIM Lágrimas RojasLágrimas RojasLágrimas rojas. Olga Sinclair es una destacada artista plástica panameña que, en sus creaciones recientes, se caracteriza por la utilización de colores vibrantes. Como decía María Zambrano, los colores nacen para hacernos la luz asequible. Y Sinclair los combina de forma que sean capaces de transmitirnos su energía y alegría de vivir. MuVIM Llorenç BarberLlorenç BarberLLORENÇ BARBER. LA CONSTRUCCIÓ D’UN NOSALTRES MÚLTIPLE CCCC Felipe PantoneFelipe PantoneFELIPE PANTONE. PROSPECTIVA CCCC Juan OlivaresJuan OlivaresJUAN OLIVARES. WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN. ALGO PARECIDO A LA LIBERTAD CCCC La FotografíaLa FotografíaLa fotografía esencial en tiempos de Sorolla Bancaja Foundation Eduardo ArroyoEduardo ArroyoEduardo Arroyo, una de las figuras clave del arte contemporáneo español más reciente, es el protagonista de la exposición de la Fundación Bancaja. Bancaja Foundation San FranciscoSan FranciscoSan Francisco y el Belén El objetivo de la muestra es destacar la figura de San Francisco de Asís como creador, según la tradición católica, del primer Belén en el siglo XIII. Ceramics Museum MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum | 25Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures.
L'ETNO
The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history.
L'ETNO
Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence.
However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men.
IVAM
PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics.
IVAM
Being an ArtistBeing an ArtistBeing an Artist. Julio González.
IVAM
The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular.
IVAM
PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology.
IVAM
PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media.
IVAM
Llorenç BarberLlorenç BarberLlorenç Barber. Archive of Listenings. Sound is one of the media that comes closest to ecology. The relationship between art, music and the environment has been one of the channels with the most presence in Llorenç Barber’s work. From the perception of the soundscape as a form of musical production to self-management processes, his pioneering work in sound art proposes a series of radical positions that are constantly updated.
IVAM
Scene IScene IScene I. Making landscape. In February 2024, the IVAM has turned 35 years old. For this reason, we are starting a series of exhibits that under the heading of Scenes from the IVAM Collection will show space-time combinations of our collections, in the form of assemblies that will allow us to know the multiple meanings of the works and documents that make up the IVAM collection.
IVAM
Gómez GarcíaGómez GarcíaVicente Gómez García. La passió artística per València.
MuVIM
FelicitadFelicitadFelicidad/Infelicidad El cartell com a mapa i territori il•lustrat de les contradiccions humanes MuVIM BeyondBeyondBeyond the fence. La instalación de Tania Blancoa 'Más allá de la cerca. The Green Bubble MuVIM Lágrimas RojasLágrimas RojasLágrimas rojas. Olga Sinclair es una destacada artista plástica panameña que, en sus creaciones recientes, se caracteriza por la utilización de colores vibrantes. Como decía María Zambrano, los colores nacen para hacernos la luz asequible. Y Sinclair los combina de forma que sean capaces de transmitirnos su energía y alegría de vivir. MuVIM Llorenç BarberLlorenç BarberLLORENÇ BARBER. LA CONSTRUCCIÓ D’UN NOSALTRES MÚLTIPLE CCCC Felipe PantoneFelipe PantoneFELIPE PANTONE. PROSPECTIVA CCCC Juan OlivaresJuan OlivaresJUAN OLIVARES. WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN. ALGO PARECIDO A LA LIBERTAD CCCC La FotografíaLa FotografíaLa fotografía esencial en tiempos de Sorolla Bancaja Foundation Eduardo ArroyoEduardo ArroyoEduardo Arroyo, una de las figuras clave del arte contemporáneo español más reciente, es el protagonista de la exposición de la Fundación Bancaja. Bancaja Foundation San FranciscoSan FranciscoSan Francisco y el Belén El objetivo de la muestra es destacar la figura de San Francisco de Asís como creador, según la tradición católica, del primer Belén en el siglo XIII. Ceramics Museum MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum | ||||
| 26Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures.
L'ETNO
The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history.
L'ETNO
Being an ArtistBeing an ArtistBeing an Artist. Julio González.
IVAM
The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular.
IVAM
PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology.
IVAM
PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media.
IVAM
Llorenç BarberLlorenç BarberLlorenç Barber. Archive of Listenings. Sound is one of the media that comes closest to ecology. The relationship between art, music and the environment has been one of the channels with the most presence in Llorenç Barber’s work. From the perception of the soundscape as a form of musical production to self-management processes, his pioneering work in sound art proposes a series of radical positions that are constantly updated.
IVAM
Scene IScene IScene I. Making landscape. In February 2024, the IVAM has turned 35 years old. For this reason, we are starting a series of exhibits that under the heading of Scenes from the IVAM Collection will show space-time combinations of our collections, in the form of assemblies that will allow us to know the multiple meanings of the works and documents that make up the IVAM collection.
IVAM
Gómez GarcíaGómez GarcíaVicente Gómez García. La passió artística per València.
MuVIM
FelicitadFelicitadFelicidad/Infelicidad El cartell com a mapa i territori il•lustrat de les contradiccions humanes MuVIM BeyondBeyondBeyond the fence. La instalación de Tania Blancoa 'Más allá de la cerca. The Green Bubble MuVIM Llorenç BarberLlorenç BarberLLORENÇ BARBER. LA CONSTRUCCIÓ D’UN NOSALTRES MÚLTIPLE CCCC Felipe PantoneFelipe PantoneFELIPE PANTONE. PROSPECTIVA CCCC Eduardo ArroyoEduardo ArroyoEduardo Arroyo, una de las figuras clave del arte contemporáneo español más reciente, es el protagonista de la exposición de la Fundación Bancaja. Bancaja Foundation San FranciscoSan FranciscoSan Francisco y el Belén El objetivo de la muestra es destacar la figura de San Francisco de Asís como creador, según la tradición católica, del primer Belén en el siglo XIII. Ceramics Museum MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum | 27Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures.
L'ETNO
The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history.
L'ETNO
Being an ArtistBeing an ArtistBeing an Artist. Julio González.
IVAM
The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular.
IVAM
PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology.
IVAM
PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media.
IVAM
Llorenç BarberLlorenç BarberLlorenç Barber. Archive of Listenings. Sound is one of the media that comes closest to ecology. The relationship between art, music and the environment has been one of the channels with the most presence in Llorenç Barber’s work. From the perception of the soundscape as a form of musical production to self-management processes, his pioneering work in sound art proposes a series of radical positions that are constantly updated.
IVAM
Scene IScene IScene I. Making landscape. In February 2024, the IVAM has turned 35 years old. For this reason, we are starting a series of exhibits that under the heading of Scenes from the IVAM Collection will show space-time combinations of our collections, in the form of assemblies that will allow us to know the multiple meanings of the works and documents that make up the IVAM collection.
IVAM
Gómez GarcíaGómez GarcíaVicente Gómez García. La passió artística per València.
MuVIM
FelicitadFelicitadFelicidad/Infelicidad El cartell com a mapa i territori il•lustrat de les contradiccions humanes MuVIM BeyondBeyondBeyond the fence. La instalación de Tania Blancoa 'Más allá de la cerca. The Green Bubble MuVIM Llorenç BarberLlorenç BarberLLORENÇ BARBER. LA CONSTRUCCIÓ D’UN NOSALTRES MÚLTIPLE CCCC Felipe PantoneFelipe PantoneFELIPE PANTONE. PROSPECTIVA CCCC Eduardo ArroyoEduardo ArroyoEduardo Arroyo, una de las figuras clave del arte contemporáneo español más reciente, es el protagonista de la exposición de la Fundación Bancaja. Bancaja Foundation San FranciscoSan FranciscoSan Francisco y el Belén El objetivo de la muestra es destacar la figura de San Francisco de Asís como creador, según la tradición católica, del primer Belén en el siglo XIII. Ceramics Museum MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum | 28Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures.
L'ETNO
The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history.
L'ETNO
Being an ArtistBeing an ArtistBeing an Artist. Julio González.
IVAM
The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular.
IVAM
PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology.
IVAM
PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media.
IVAM
Llorenç BarberLlorenç BarberLlorenç Barber. Archive of Listenings. Sound is one of the media that comes closest to ecology. The relationship between art, music and the environment has been one of the channels with the most presence in Llorenç Barber’s work. From the perception of the soundscape as a form of musical production to self-management processes, his pioneering work in sound art proposes a series of radical positions that are constantly updated.
IVAM
Scene IScene IScene I. Making landscape. In February 2024, the IVAM has turned 35 years old. For this reason, we are starting a series of exhibits that under the heading of Scenes from the IVAM Collection will show space-time combinations of our collections, in the form of assemblies that will allow us to know the multiple meanings of the works and documents that make up the IVAM collection.
IVAM
Gómez GarcíaGómez GarcíaVicente Gómez García. La passió artística per València.
MuVIM
FelicitadFelicitadFelicidad/Infelicidad El cartell com a mapa i territori il•lustrat de les contradiccions humanes MuVIM BeyondBeyondBeyond the fence. La instalación de Tania Blancoa 'Más allá de la cerca. The Green Bubble MuVIM Llorenç BarberLlorenç BarberLLORENÇ BARBER. LA CONSTRUCCIÓ D’UN NOSALTRES MÚLTIPLE CCCC Felipe PantoneFelipe PantoneFELIPE PANTONE. PROSPECTIVA CCCC Eduardo ArroyoEduardo ArroyoEduardo Arroyo, una de las figuras clave del arte contemporáneo español más reciente, es el protagonista de la exposición de la Fundación Bancaja. Bancaja Foundation San FranciscoSan FranciscoSan Francisco y el Belén El objetivo de la muestra es destacar la figura de San Francisco de Asís como creador, según la tradición católica, del primer Belén en el siglo XIII. Ceramics Museum MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum | 29Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures.
L'ETNO
The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history.
L'ETNO
Being an ArtistBeing an ArtistBeing an Artist. Julio González.
IVAM
The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular.
IVAM
PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology.
IVAM
PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media.
IVAM
Llorenç BarberLlorenç BarberLlorenç Barber. Archive of Listenings. Sound is one of the media that comes closest to ecology. The relationship between art, music and the environment has been one of the channels with the most presence in Llorenç Barber’s work. From the perception of the soundscape as a form of musical production to self-management processes, his pioneering work in sound art proposes a series of radical positions that are constantly updated.
IVAM
Scene IScene IScene I. Making landscape. In February 2024, the IVAM has turned 35 years old. For this reason, we are starting a series of exhibits that under the heading of Scenes from the IVAM Collection will show space-time combinations of our collections, in the form of assemblies that will allow us to know the multiple meanings of the works and documents that make up the IVAM collection.
IVAM
Gómez GarcíaGómez GarcíaVicente Gómez García. La passió artística per València.
MuVIM
FelicitadFelicitadFelicidad/Infelicidad El cartell com a mapa i territori il•lustrat de les contradiccions humanes MuVIM BeyondBeyondBeyond the fence. La instalación de Tania Blancoa 'Más allá de la cerca. The Green Bubble MuVIM Llorenç BarberLlorenç BarberLLORENÇ BARBER. LA CONSTRUCCIÓ D’UN NOSALTRES MÚLTIPLE CCCC Felipe PantoneFelipe PantoneFELIPE PANTONE. PROSPECTIVA CCCC Eduardo ArroyoEduardo ArroyoEduardo Arroyo, una de las figuras clave del arte contemporáneo español más reciente, es el protagonista de la exposición de la Fundación Bancaja. Bancaja Foundation San FranciscoSan FranciscoSan Francisco y el Belén El objetivo de la muestra es destacar la figura de San Francisco de Asís como creador, según la tradición católica, del primer Belén en el siglo XIII. Ceramics Museum MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum | |||||||
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OCEANOGRAFIC VALENCIA
The Oceanografic in Valencia excites with surprising insights. Situated in the spectacular surroundings of the City of Arts and Sciences it is the largest aquarium in Europe. Avant-garde architecture creates a magnificent environment for faithfully reproduced marine ecosystems.
MARINA DE VALENCIA
La Marina de València is a unique district that combines business, cultural and public activities in a maritime environment. Nestled cheerfully between the main beach of Valencia and commercial harbour, it is a phenomenal space that excites and surprises.
