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EXHIBITIONS IN VALENCIA

Magnificent, wondrous, appealing, challenging, ridiculous and moving are just some of the expletives uttered at exhibitions in Valencia. Highly talented and famous local artists are shown regularly as well as some of the world’s greatest.

© Amazing Capitals / DeiaGreg

Valencia is a vibrant city, where happenings include concerts, theatre performances, an exhibit vernissage or finissage. Spontaneous celebrations, an opening, anniversary or a pop-up market can be thoroughly enjoyable too.

Happenings often take place with surprisingly little publicity. Just a few local nationals attend. Many in the expat community of Valencia adore these gatherings.

The calendar below offers expats a quick, easy and simple way to discover current activities all on one page.

 

By Vincent Green, Jun 19 2018

< January 2024 >
MondayTuesdayWednesdayThursdayFridaySaturdaySunday
1Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures. L'ETNO The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular. IVAM PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology. IVAM PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media. IVAM BeyondBeyondBeyond the fence. La instalación de Tania Blancoa 'Más allá de la cerca. The Green Bubble MuVIM Lágrimas RojasLágrimas RojasLágrimas rojas. Olga Sinclair es una destacada artista plástica panameña que, en sus creaciones recientes, se caracteriza por la utilización de colores vibrantes. Como decía María Zambrano, los colores nacen para hacernos la luz asequible. Y Sinclair los combina de forma que sean capaces de transmitirnos su energía y alegría de vivir. MuVIM La HuellaLa HuellaLa huella de Roma Fina Arts Llorenç BarberLlorenç BarberLLORENÇ BARBER.
LA CONSTRUCCIÓ D’UN NOSALTRES MÚLTIPLE CCCC Felipe PantoneFelipe PantoneFELIPE PANTONE.
PROSPECTIVA CCCC Juan OlivaresJuan OlivaresJUAN OLIVARES.
WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN.
ALGO PARECIDO A LA LIBERTAD CCCC La FotografíaLa FotografíaLa fotografía esencial en tiempos de Sorolla Bancaja Foundation MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 		2Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures. L'ETNO The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular. IVAM PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology. IVAM PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media. IVAM BeyondBeyondBeyond the fence. La instalación de Tania Blancoa 'Más allá de la cerca. The Green Bubble MuVIM Lágrimas RojasLágrimas RojasLágrimas rojas. Olga Sinclair es una destacada artista plástica panameña que, en sus creaciones recientes, se caracteriza por la utilización de colores vibrantes. Como decía María Zambrano, los colores nacen para hacernos la luz asequible. Y Sinclair los combina de forma que sean capaces de transmitirnos su energía y alegría de vivir. MuVIM La HuellaLa HuellaLa huella de Roma Fina Arts Llorenç BarberLlorenç BarberLLORENÇ BARBER.
LA CONSTRUCCIÓ D’UN NOSALTRES MÚLTIPLE CCCC Felipe PantoneFelipe PantoneFELIPE PANTONE.
PROSPECTIVA CCCC Juan OlivaresJuan OlivaresJUAN OLIVARES.
WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN.
ALGO PARECIDO A LA LIBERTAD CCCC La FotografíaLa FotografíaLa fotografía esencial en tiempos de Sorolla Bancaja Foundation MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 		3Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures. L'ETNO The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular. IVAM PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology. IVAM PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media. IVAM BeyondBeyondBeyond the fence. La instalación de Tania Blancoa 'Más allá de la cerca. The Green Bubble MuVIM Lágrimas RojasLágrimas RojasLágrimas rojas. Olga Sinclair es una destacada artista plástica panameña que, en sus creaciones recientes, se caracteriza por la utilización de colores vibrantes. Como decía María Zambrano, los colores nacen para hacernos la luz asequible. Y Sinclair los combina de forma que sean capaces de transmitirnos su energía y alegría de vivir. MuVIM La HuellaLa HuellaLa huella de Roma Fina Arts Llorenç BarberLlorenç BarberLLORENÇ BARBER.
LA CONSTRUCCIÓ D’UN NOSALTRES MÚLTIPLE CCCC Felipe PantoneFelipe PantoneFELIPE PANTONE.
PROSPECTIVA CCCC Juan OlivaresJuan OlivaresJUAN OLIVARES.
WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN.
ALGO PARECIDO A LA LIBERTAD CCCC La FotografíaLa FotografíaLa fotografía esencial en tiempos de Sorolla Bancaja Foundation MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 		4Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures. L'ETNO The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular. IVAM PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology. IVAM PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media. IVAM BeyondBeyondBeyond the fence. La instalación de Tania Blancoa 'Más allá de la cerca. The Green Bubble MuVIM Lágrimas RojasLágrimas RojasLágrimas rojas. Olga Sinclair es una destacada artista plástica panameña que, en sus creaciones recientes, se caracteriza por la utilización de colores vibrantes. Como decía María Zambrano, los colores nacen para hacernos la luz asequible. Y Sinclair los combina de forma que sean capaces de transmitirnos su energía y alegría de vivir. MuVIM La HuellaLa HuellaLa huella de Roma Fina Arts Llorenç BarberLlorenç BarberLLORENÇ BARBER.
LA CONSTRUCCIÓ D’UN NOSALTRES MÚLTIPLE CCCC Felipe PantoneFelipe PantoneFELIPE PANTONE.
PROSPECTIVA CCCC Juan OlivaresJuan OlivaresJUAN OLIVARES.
WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN.
ALGO PARECIDO A LA LIBERTAD CCCC La FotografíaLa FotografíaLa fotografía esencial en tiempos de Sorolla Bancaja Foundation MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 		5Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures. L'ETNO The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular. IVAM PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology. IVAM PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media. IVAM BeyondBeyondBeyond the fence. La instalación de Tania Blancoa 'Más allá de la cerca. The Green Bubble MuVIM Lágrimas RojasLágrimas RojasLágrimas rojas. Olga Sinclair es una destacada artista plástica panameña que, en sus creaciones recientes, se caracteriza por la utilización de colores vibrantes. Como decía María Zambrano, los colores nacen para hacernos la luz asequible. Y Sinclair los combina de forma que sean capaces de transmitirnos su energía y alegría de vivir. MuVIM La HuellaLa HuellaLa huella de Roma Fina Arts Llorenç BarberLlorenç BarberLLORENÇ BARBER.
LA CONSTRUCCIÓ D’UN NOSALTRES MÚLTIPLE CCCC Felipe PantoneFelipe PantoneFELIPE PANTONE.
PROSPECTIVA CCCC Juan OlivaresJuan OlivaresJUAN OLIVARES.
WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN.
ALGO PARECIDO A LA LIBERTAD CCCC La FotografíaLa FotografíaLa fotografía esencial en tiempos de Sorolla Bancaja Foundation MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 		6Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures. L'ETNO The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular. IVAM PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology. IVAM PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media. IVAM BeyondBeyondBeyond the fence. La instalación de Tania Blancoa 'Más allá de la cerca. The Green Bubble MuVIM Lágrimas RojasLágrimas RojasLágrimas rojas. Olga Sinclair es una destacada artista plástica panameña que, en sus creaciones recientes, se caracteriza por la utilización de colores vibrantes. Como decía María Zambrano, los colores nacen para hacernos la luz asequible. Y Sinclair los combina de forma que sean capaces de transmitirnos su energía y alegría de vivir. MuVIM La HuellaLa HuellaLa huella de Roma Fina Arts Llorenç BarberLlorenç BarberLLORENÇ BARBER.
LA CONSTRUCCIÓ D’UN NOSALTRES MÚLTIPLE CCCC Felipe PantoneFelipe PantoneFELIPE PANTONE.
PROSPECTIVA CCCC Juan OlivaresJuan OlivaresJUAN OLIVARES.
WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN.
ALGO PARECIDO A LA LIBERTAD CCCC La FotografíaLa FotografíaLa fotografía esencial en tiempos de Sorolla Bancaja Foundation MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 		7Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures. L'ETNO The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular. IVAM PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology. IVAM PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media. IVAM BeyondBeyondBeyond the fence. La instalación de Tania Blancoa 'Más allá de la cerca. The Green Bubble MuVIM Lágrimas RojasLágrimas RojasLágrimas rojas. Olga Sinclair es una destacada artista plástica panameña que, en sus creaciones recientes, se caracteriza por la utilización de colores vibrantes. Como decía María Zambrano, los colores nacen para hacernos la luz asequible. Y Sinclair los combina de forma que sean capaces de transmitirnos su energía y alegría de vivir. MuVIM La HuellaLa HuellaLa huella de Roma Fina Arts Llorenç BarberLlorenç BarberLLORENÇ BARBER.
LA CONSTRUCCIÓ D’UN NOSALTRES MÚLTIPLE CCCC Felipe PantoneFelipe PantoneFELIPE PANTONE.
PROSPECTIVA CCCC Juan OlivaresJuan OlivaresJUAN OLIVARES.
WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN.
ALGO PARECIDO A LA LIBERTAD CCCC La FotografíaLa FotografíaLa fotografía esencial en tiempos de Sorolla Bancaja Foundation MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum
8Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures. L'ETNO The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular. IVAM PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology. IVAM PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media. IVAM BeyondBeyondBeyond the fence. La instalación de Tania Blancoa 'Más allá de la cerca. The Green Bubble MuVIM Lágrimas RojasLágrimas RojasLágrimas rojas. Olga Sinclair es una destacada artista plástica panameña que, en sus creaciones recientes, se caracteriza por la utilización de colores vibrantes. Como decía María Zambrano, los colores nacen para hacernos la luz asequible. Y Sinclair los combina de forma que sean capaces de transmitirnos su energía y alegría de vivir. MuVIM La HuellaLa HuellaLa huella de Roma Fina Arts Llorenç BarberLlorenç BarberLLORENÇ BARBER.
LA CONSTRUCCIÓ D’UN NOSALTRES MÚLTIPLE CCCC Felipe PantoneFelipe PantoneFELIPE PANTONE.
PROSPECTIVA CCCC Juan OlivaresJuan OlivaresJUAN OLIVARES.
WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN.
ALGO PARECIDO A LA LIBERTAD CCCC La FotografíaLa FotografíaLa fotografía esencial en tiempos de Sorolla Bancaja Foundation MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 		9Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures. L'ETNO The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular. IVAM PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology. IVAM PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media. IVAM BeyondBeyondBeyond the fence. La instalación de Tania Blancoa 'Más allá de la cerca. The Green Bubble MuVIM Lágrimas RojasLágrimas RojasLágrimas rojas. Olga Sinclair es una destacada artista plástica panameña que, en sus creaciones recientes, se caracteriza por la utilización de colores vibrantes. Como decía María Zambrano, los colores nacen para hacernos la luz asequible. Y Sinclair los combina de forma que sean capaces de transmitirnos su energía y alegría de vivir. MuVIM La HuellaLa HuellaLa huella de Roma Fina Arts Llorenç BarberLlorenç BarberLLORENÇ BARBER.
LA CONSTRUCCIÓ D’UN NOSALTRES MÚLTIPLE CCCC Felipe PantoneFelipe PantoneFELIPE PANTONE.
PROSPECTIVA CCCC Juan OlivaresJuan OlivaresJUAN OLIVARES.
WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN.
ALGO PARECIDO A LA LIBERTAD CCCC La FotografíaLa FotografíaLa fotografía esencial en tiempos de Sorolla Bancaja Foundation MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 		10Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures. L'ETNO The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular. IVAM PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology. IVAM PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media. IVAM BeyondBeyondBeyond the fence. La instalación de Tania Blancoa 'Más allá de la cerca. The Green Bubble MuVIM Lágrimas RojasLágrimas RojasLágrimas rojas. Olga Sinclair es una destacada artista plástica panameña que, en sus creaciones recientes, se caracteriza por la utilización de colores vibrantes. Como decía María Zambrano, los colores nacen para hacernos la luz asequible. Y Sinclair los combina de forma que sean capaces de transmitirnos su energía y alegría de vivir. MuVIM La HuellaLa HuellaLa huella de Roma Fina Arts Llorenç BarberLlorenç BarberLLORENÇ BARBER.
LA CONSTRUCCIÓ D’UN NOSALTRES MÚLTIPLE CCCC Felipe PantoneFelipe PantoneFELIPE PANTONE.
PROSPECTIVA CCCC Juan OlivaresJuan OlivaresJUAN OLIVARES.
WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN.
ALGO PARECIDO A LA LIBERTAD CCCC La FotografíaLa FotografíaLa fotografía esencial en tiempos de Sorolla Bancaja Foundation MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 		11Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures. L'ETNO The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular. IVAM PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology. IVAM PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media. IVAM BeyondBeyondBeyond the fence. La instalación de Tania Blancoa 'Más allá de la cerca. The Green Bubble MuVIM Lágrimas RojasLágrimas RojasLágrimas rojas. Olga Sinclair es una destacada artista plástica panameña que, en sus creaciones recientes, se caracteriza por la utilización de colores vibrantes. Como decía María Zambrano, los colores nacen para hacernos la luz asequible. Y Sinclair los combina de forma que sean capaces de transmitirnos su energía y alegría de vivir. MuVIM La HuellaLa HuellaLa huella de Roma Fina Arts Llorenç BarberLlorenç BarberLLORENÇ BARBER.
LA CONSTRUCCIÓ D’UN NOSALTRES MÚLTIPLE CCCC Felipe PantoneFelipe PantoneFELIPE PANTONE.
PROSPECTIVA CCCC Juan OlivaresJuan OlivaresJUAN OLIVARES.
WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN.
ALGO PARECIDO A LA LIBERTAD CCCC La FotografíaLa FotografíaLa fotografía esencial en tiempos de Sorolla Bancaja Foundation MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 		12Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures. L'ETNO The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular. IVAM PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology. IVAM PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media. IVAM BeyondBeyondBeyond the fence. La instalación de Tania Blancoa 'Más allá de la cerca. The Green Bubble MuVIM Lágrimas RojasLágrimas RojasLágrimas rojas. Olga Sinclair es una destacada artista plástica panameña que, en sus creaciones recientes, se caracteriza por la utilización de colores vibrantes. Como decía María Zambrano, los colores nacen para hacernos la luz asequible. Y Sinclair los combina de forma que sean capaces de transmitirnos su energía y alegría de vivir. MuVIM La HuellaLa HuellaLa huella de Roma Fina Arts Llorenç BarberLlorenç BarberLLORENÇ BARBER.
LA CONSTRUCCIÓ D’UN NOSALTRES MÚLTIPLE CCCC Felipe PantoneFelipe PantoneFELIPE PANTONE.
PROSPECTIVA CCCC Juan OlivaresJuan OlivaresJUAN OLIVARES.
WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN.
ALGO PARECIDO A LA LIBERTAD CCCC La FotografíaLa FotografíaLa fotografía esencial en tiempos de Sorolla Bancaja Foundation MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 		13Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures. L'ETNO The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular. IVAM PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology. IVAM PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media. IVAM BeyondBeyondBeyond the fence. La instalación de Tania Blancoa 'Más allá de la cerca. The Green Bubble MuVIM Lágrimas RojasLágrimas RojasLágrimas rojas. Olga Sinclair es una destacada artista plástica panameña que, en sus creaciones recientes, se caracteriza por la utilización de colores vibrantes. Como decía María Zambrano, los colores nacen para hacernos la luz asequible. Y Sinclair los combina de forma que sean capaces de transmitirnos su energía y alegría de vivir. MuVIM La HuellaLa HuellaLa huella de Roma Fina Arts Llorenç BarberLlorenç BarberLLORENÇ BARBER.
LA CONSTRUCCIÓ D’UN NOSALTRES MÚLTIPLE CCCC Felipe PantoneFelipe PantoneFELIPE PANTONE.
PROSPECTIVA CCCC Juan OlivaresJuan OlivaresJUAN OLIVARES.
WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN.
ALGO PARECIDO A LA LIBERTAD CCCC La FotografíaLa FotografíaLa fotografía esencial en tiempos de Sorolla Bancaja Foundation MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 		14Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures. L'ETNO The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular. IVAM PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology. IVAM PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media. IVAM BeyondBeyondBeyond the fence. La instalación de Tania Blancoa 'Más allá de la cerca. The Green Bubble MuVIM Lágrimas RojasLágrimas RojasLágrimas rojas. Olga Sinclair es una destacada artista plástica panameña que, en sus creaciones recientes, se caracteriza por la utilización de colores vibrantes. Como decía María Zambrano, los colores nacen para hacernos la luz asequible. Y Sinclair los combina de forma que sean capaces de transmitirnos su energía y alegría de vivir. MuVIM La HuellaLa HuellaLa huella de Roma Fina Arts Llorenç BarberLlorenç BarberLLORENÇ BARBER.
LA CONSTRUCCIÓ D’UN NOSALTRES MÚLTIPLE CCCC Felipe PantoneFelipe PantoneFELIPE PANTONE.
PROSPECTIVA CCCC Juan OlivaresJuan OlivaresJUAN OLIVARES.
WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN.
ALGO PARECIDO A LA LIBERTAD CCCC La FotografíaLa FotografíaLa fotografía esencial en tiempos de Sorolla Bancaja Foundation MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum
15Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures. L'ETNO The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular. IVAM PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology. IVAM PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media. IVAM BeyondBeyondBeyond the fence. La instalación de Tania Blancoa 'Más allá de la cerca. The Green Bubble MuVIM Lágrimas RojasLágrimas RojasLágrimas rojas. Olga Sinclair es una destacada artista plástica panameña que, en sus creaciones recientes, se caracteriza por la utilización de colores vibrantes. Como decía María Zambrano, los colores nacen para hacernos la luz asequible. Y Sinclair los combina de forma que sean capaces de transmitirnos su energía y alegría de vivir. MuVIM La HuellaLa HuellaLa huella de Roma Fina Arts Llorenç BarberLlorenç BarberLLORENÇ BARBER.
LA CONSTRUCCIÓ D’UN NOSALTRES MÚLTIPLE CCCC Felipe PantoneFelipe PantoneFELIPE PANTONE.
PROSPECTIVA CCCC Juan OlivaresJuan OlivaresJUAN OLIVARES.
WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN.
ALGO PARECIDO A LA LIBERTAD CCCC La FotografíaLa FotografíaLa fotografía esencial en tiempos de Sorolla Bancaja Foundation MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 		16Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures. L'ETNO The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular. IVAM PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology. IVAM PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media. IVAM BeyondBeyondBeyond the fence. La instalación de Tania Blancoa 'Más allá de la cerca. The Green Bubble MuVIM Lágrimas RojasLágrimas RojasLágrimas rojas. Olga Sinclair es una destacada artista plástica panameña que, en sus creaciones recientes, se caracteriza por la utilización de colores vibrantes. Como decía María Zambrano, los colores nacen para hacernos la luz asequible. Y Sinclair los combina de forma que sean capaces de transmitirnos su energía y alegría de vivir. MuVIM La HuellaLa HuellaLa huella de Roma Fina Arts Llorenç BarberLlorenç BarberLLORENÇ BARBER.
LA CONSTRUCCIÓ D’UN NOSALTRES MÚLTIPLE CCCC Felipe PantoneFelipe PantoneFELIPE PANTONE.
PROSPECTIVA CCCC Juan OlivaresJuan OlivaresJUAN OLIVARES.
WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN.
ALGO PARECIDO A LA LIBERTAD CCCC La FotografíaLa FotografíaLa fotografía esencial en tiempos de Sorolla Bancaja Foundation MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 		17Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures. L'ETNO The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular. IVAM PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology. IVAM PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media. IVAM BeyondBeyondBeyond the fence. La instalación de Tania Blancoa 'Más allá de la cerca. The Green Bubble MuVIM Lágrimas RojasLágrimas RojasLágrimas rojas. Olga Sinclair es una destacada artista plástica panameña que, en sus creaciones recientes, se caracteriza por la utilización de colores vibrantes. Como decía María Zambrano, los colores nacen para hacernos la luz asequible. Y Sinclair los combina de forma que sean capaces de transmitirnos su energía y alegría de vivir. MuVIM La HuellaLa HuellaLa huella de Roma Fina Arts Llorenç BarberLlorenç BarberLLORENÇ BARBER.
LA CONSTRUCCIÓ D’UN NOSALTRES MÚLTIPLE CCCC Felipe PantoneFelipe PantoneFELIPE PANTONE.
PROSPECTIVA CCCC Juan OlivaresJuan OlivaresJUAN OLIVARES.
WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN.
ALGO PARECIDO A LA LIBERTAD CCCC La FotografíaLa FotografíaLa fotografía esencial en tiempos de Sorolla Bancaja Foundation MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 		18Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures. L'ETNO The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular. IVAM PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology. IVAM PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media. IVAM BeyondBeyondBeyond the fence. La instalación de Tania Blancoa 'Más allá de la cerca. The Green Bubble MuVIM Lágrimas RojasLágrimas RojasLágrimas rojas. Olga Sinclair es una destacada artista plástica panameña que, en sus creaciones recientes, se caracteriza por la utilización de colores vibrantes. Como decía María Zambrano, los colores nacen para hacernos la luz asequible. Y Sinclair los combina de forma que sean capaces de transmitirnos su energía y alegría de vivir. MuVIM La HuellaLa HuellaLa huella de Roma Fina Arts Llorenç BarberLlorenç BarberLLORENÇ BARBER.
LA CONSTRUCCIÓ D’UN NOSALTRES MÚLTIPLE CCCC Felipe PantoneFelipe PantoneFELIPE PANTONE.
PROSPECTIVA CCCC Juan OlivaresJuan OlivaresJUAN OLIVARES.
WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN.
ALGO PARECIDO A LA LIBERTAD CCCC La FotografíaLa FotografíaLa fotografía esencial en tiempos de Sorolla Bancaja Foundation MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 		19Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures. L'ETNO The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular. IVAM PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology. IVAM PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media. IVAM BeyondBeyondBeyond the fence. La instalación de Tania Blancoa 'Más allá de la cerca. The Green Bubble MuVIM Lágrimas RojasLágrimas RojasLágrimas rojas. Olga Sinclair es una destacada artista plástica panameña que, en sus creaciones recientes, se caracteriza por la utilización de colores vibrantes. Como decía María Zambrano, los colores nacen para hacernos la luz asequible. Y Sinclair los combina de forma que sean capaces de transmitirnos su energía y alegría de vivir. MuVIM La HuellaLa HuellaLa huella de Roma Fina Arts Llorenç BarberLlorenç BarberLLORENÇ BARBER.
LA CONSTRUCCIÓ D’UN NOSALTRES MÚLTIPLE CCCC Felipe PantoneFelipe PantoneFELIPE PANTONE.
PROSPECTIVA CCCC Juan OlivaresJuan OlivaresJUAN OLIVARES.
WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN.
ALGO PARECIDO A LA LIBERTAD CCCC La FotografíaLa FotografíaLa fotografía esencial en tiempos de Sorolla Bancaja Foundation MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 		20Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures. L'ETNO The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular. IVAM PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology. IVAM PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media. IVAM BeyondBeyondBeyond the fence. La instalación de Tania Blancoa 'Más allá de la cerca. The Green Bubble MuVIM Lágrimas RojasLágrimas RojasLágrimas rojas. Olga Sinclair es una destacada artista plástica panameña que, en sus creaciones recientes, se caracteriza por la utilización de colores vibrantes. Como decía María Zambrano, los colores nacen para hacernos la luz asequible. Y Sinclair los combina de forma que sean capaces de transmitirnos su energía y alegría de vivir. MuVIM La HuellaLa HuellaLa huella de Roma Fina Arts Llorenç BarberLlorenç BarberLLORENÇ BARBER.
LA CONSTRUCCIÓ D’UN NOSALTRES MÚLTIPLE CCCC Felipe PantoneFelipe PantoneFELIPE PANTONE.
PROSPECTIVA CCCC Juan OlivaresJuan OlivaresJUAN OLIVARES.
WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN.
ALGO PARECIDO A LA LIBERTAD CCCC La FotografíaLa FotografíaLa fotografía esencial en tiempos de Sorolla Bancaja Foundation MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 		21Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures. L'ETNO The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular. IVAM PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology. IVAM PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media. IVAM BeyondBeyondBeyond the fence. La instalación de Tania Blancoa 'Más allá de la cerca. The Green Bubble MuVIM Lágrimas RojasLágrimas RojasLágrimas rojas. Olga Sinclair es una destacada artista plástica panameña que, en sus creaciones recientes, se caracteriza por la utilización de colores vibrantes. Como decía María Zambrano, los colores nacen para hacernos la luz asequible. Y Sinclair los combina de forma que sean capaces de transmitirnos su energía y alegría de vivir. MuVIM La HuellaLa HuellaLa huella de Roma Fina Arts Llorenç BarberLlorenç BarberLLORENÇ BARBER.
LA CONSTRUCCIÓ D’UN NOSALTRES MÚLTIPLE CCCC Felipe PantoneFelipe PantoneFELIPE PANTONE.
PROSPECTIVA CCCC Juan OlivaresJuan OlivaresJUAN OLIVARES.
WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN.
ALGO PARECIDO A LA LIBERTAD CCCC La FotografíaLa FotografíaLa fotografía esencial en tiempos de Sorolla Bancaja Foundation MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum
22Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures. L'ETNO The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular. IVAM PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology. IVAM PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media. IVAM BeyondBeyondBeyond the fence. La instalación de Tania Blancoa 'Más allá de la cerca. The Green Bubble MuVIM Lágrimas RojasLágrimas RojasLágrimas rojas. Olga Sinclair es una destacada artista plástica panameña que, en sus creaciones recientes, se caracteriza por la utilización de colores vibrantes. Como decía María Zambrano, los colores nacen para hacernos la luz asequible. Y Sinclair los combina de forma que sean capaces de transmitirnos su energía y alegría de vivir. MuVIM La HuellaLa HuellaLa huella de Roma Fina Arts Llorenç BarberLlorenç BarberLLORENÇ BARBER.
LA CONSTRUCCIÓ D’UN NOSALTRES MÚLTIPLE CCCC Felipe PantoneFelipe PantoneFELIPE PANTONE.
PROSPECTIVA CCCC Juan OlivaresJuan OlivaresJUAN OLIVARES.
WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN.
ALGO PARECIDO A LA LIBERTAD CCCC La FotografíaLa FotografíaLa fotografía esencial en tiempos de Sorolla Bancaja Foundation MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 		23Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures. L'ETNO The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular. IVAM PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology. IVAM PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media. IVAM BeyondBeyondBeyond the fence. La instalación de Tania Blancoa 'Más allá de la cerca. The Green Bubble MuVIM Lágrimas RojasLágrimas RojasLágrimas rojas. Olga Sinclair es una destacada artista plástica panameña que, en sus creaciones recientes, se caracteriza por la utilización de colores vibrantes. Como decía María Zambrano, los colores nacen para hacernos la luz asequible. Y Sinclair los combina de forma que sean capaces de transmitirnos su energía y alegría de vivir. MuVIM La HuellaLa HuellaLa huella de Roma Fina Arts Llorenç BarberLlorenç BarberLLORENÇ BARBER.
LA CONSTRUCCIÓ D’UN NOSALTRES MÚLTIPLE CCCC Felipe PantoneFelipe PantoneFELIPE PANTONE.
PROSPECTIVA CCCC Juan OlivaresJuan OlivaresJUAN OLIVARES.
WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN.
ALGO PARECIDO A LA LIBERTAD CCCC La FotografíaLa FotografíaLa fotografía esencial en tiempos de Sorolla Bancaja Foundation MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 		24Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures. L'ETNO The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular. IVAM PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology. IVAM PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media. IVAM BeyondBeyondBeyond the fence. La instalación de Tania Blancoa 'Más allá de la cerca. The Green Bubble MuVIM Lágrimas RojasLágrimas RojasLágrimas rojas. Olga Sinclair es una destacada artista plástica panameña que, en sus creaciones recientes, se caracteriza por la utilización de colores vibrantes. Como decía María Zambrano, los colores nacen para hacernos la luz asequible. Y Sinclair los combina de forma que sean capaces de transmitirnos su energía y alegría de vivir. MuVIM La HuellaLa HuellaLa huella de Roma Fina Arts Llorenç BarberLlorenç BarberLLORENÇ BARBER.
LA CONSTRUCCIÓ D’UN NOSALTRES MÚLTIPLE CCCC Felipe PantoneFelipe PantoneFELIPE PANTONE.
PROSPECTIVA CCCC Juan OlivaresJuan OlivaresJUAN OLIVARES.
WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN.
ALGO PARECIDO A LA LIBERTAD CCCC La FotografíaLa FotografíaLa fotografía esencial en tiempos de Sorolla Bancaja Foundation MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 		25Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures. L'ETNO The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular. IVAM PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology. IVAM PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media. IVAM Gómez GarcíaGómez GarcíaVicente Gómez García. La passió artística per València. MuVIM FelicitadFelicitadFelicidad/Infelicidad
El cartell
com a mapa i territori
il•lustrat de les contradiccions
humanes MuVIM BeyondBeyondBeyond the fence. La instalación de Tania Blancoa 'Más allá de la cerca. The Green Bubble MuVIM Lágrimas RojasLágrimas RojasLágrimas rojas. Olga Sinclair es una destacada artista plástica panameña que, en sus creaciones recientes, se caracteriza por la utilización de colores vibrantes. Como decía María Zambrano, los colores nacen para hacernos la luz asequible. Y Sinclair los combina de forma que sean capaces de transmitirnos su energía y alegría de vivir. MuVIM La HuellaLa HuellaLa huella de Roma Fina Arts Llorenç BarberLlorenç BarberLLORENÇ BARBER.
LA CONSTRUCCIÓ D’UN NOSALTRES MÚLTIPLE CCCC Felipe PantoneFelipe PantoneFELIPE PANTONE.
PROSPECTIVA CCCC Juan OlivaresJuan OlivaresJUAN OLIVARES.
WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN.
ALGO PARECIDO A LA LIBERTAD CCCC La FotografíaLa FotografíaLa fotografía esencial en tiempos de Sorolla Bancaja Foundation MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 		26Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures. L'ETNO The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular. IVAM PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology. IVAM PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media. IVAM Gómez GarcíaGómez GarcíaVicente Gómez García. La passió artística per València. MuVIM FelicitadFelicitadFelicidad/Infelicidad
El cartell
com a mapa i territori
il•lustrat de les contradiccions
humanes MuVIM BeyondBeyondBeyond the fence. La instalación de Tania Blancoa 'Más allá de la cerca. The Green Bubble MuVIM Lágrimas RojasLágrimas RojasLágrimas rojas. Olga Sinclair es una destacada artista plástica panameña que, en sus creaciones recientes, se caracteriza por la utilización de colores vibrantes. Como decía María Zambrano, los colores nacen para hacernos la luz asequible. Y Sinclair los combina de forma que sean capaces de transmitirnos su energía y alegría de vivir. MuVIM La HuellaLa HuellaLa huella de Roma Fina Arts Llorenç BarberLlorenç BarberLLORENÇ BARBER.
LA CONSTRUCCIÓ D’UN NOSALTRES MÚLTIPLE CCCC Felipe PantoneFelipe PantoneFELIPE PANTONE.
PROSPECTIVA CCCC Juan OlivaresJuan OlivaresJUAN OLIVARES.
WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN.
ALGO PARECIDO A LA LIBERTAD CCCC La FotografíaLa FotografíaLa fotografía esencial en tiempos de Sorolla Bancaja Foundation MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 		27Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures. L'ETNO The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular. IVAM PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology. IVAM PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media. IVAM Gómez GarcíaGómez GarcíaVicente Gómez García. La passió artística per València. MuVIM FelicitadFelicitadFelicidad/Infelicidad
El cartell
com a mapa i territori
il•lustrat de les contradiccions
humanes MuVIM BeyondBeyondBeyond the fence. La instalación de Tania Blancoa 'Más allá de la cerca. The Green Bubble MuVIM Lágrimas RojasLágrimas RojasLágrimas rojas. Olga Sinclair es una destacada artista plástica panameña que, en sus creaciones recientes, se caracteriza por la utilización de colores vibrantes. Como decía María Zambrano, los colores nacen para hacernos la luz asequible. Y Sinclair los combina de forma que sean capaces de transmitirnos su energía y alegría de vivir. MuVIM La HuellaLa HuellaLa huella de Roma Fina Arts Llorenç BarberLlorenç BarberLLORENÇ BARBER.
LA CONSTRUCCIÓ D’UN NOSALTRES MÚLTIPLE CCCC Felipe PantoneFelipe PantoneFELIPE PANTONE.
PROSPECTIVA CCCC Juan OlivaresJuan OlivaresJUAN OLIVARES.
WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN.
ALGO PARECIDO A LA LIBERTAD CCCC La FotografíaLa FotografíaLa fotografía esencial en tiempos de Sorolla Bancaja Foundation MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 		28Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures. L'ETNO The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular. IVAM PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology. IVAM PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media. IVAM Gómez GarcíaGómez GarcíaVicente Gómez García. La passió artística per València. MuVIM FelicitadFelicitadFelicidad/Infelicidad
El cartell
com a mapa i territori
il•lustrat de les contradiccions
humanes MuVIM BeyondBeyondBeyond the fence. La instalación de Tania Blancoa 'Más allá de la cerca. The Green Bubble MuVIM Lágrimas RojasLágrimas RojasLágrimas rojas. Olga Sinclair es una destacada artista plástica panameña que, en sus creaciones recientes, se caracteriza por la utilización de colores vibrantes. Como decía María Zambrano, los colores nacen para hacernos la luz asequible. Y Sinclair los combina de forma que sean capaces de transmitirnos su energía y alegría de vivir. MuVIM La HuellaLa HuellaLa huella de Roma Fina Arts Llorenç BarberLlorenç BarberLLORENÇ BARBER.
LA CONSTRUCCIÓ D’UN NOSALTRES MÚLTIPLE CCCC Felipe PantoneFelipe PantoneFELIPE PANTONE.
PROSPECTIVA CCCC Juan OlivaresJuan OlivaresJUAN OLIVARES.
WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN.
ALGO PARECIDO A LA LIBERTAD CCCC La FotografíaLa FotografíaLa fotografía esencial en tiempos de Sorolla Bancaja Foundation MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum
29Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures. L'ETNO The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular. IVAM PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology. IVAM PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media. IVAM Gómez GarcíaGómez GarcíaVicente Gómez García. La passió artística per València. MuVIM FelicitadFelicitadFelicidad/Infelicidad
El cartell
com a mapa i territori
il•lustrat de les contradiccions
humanes MuVIM BeyondBeyondBeyond the fence. La instalación de Tania Blancoa 'Más allá de la cerca. The Green Bubble MuVIM Lágrimas RojasLágrimas RojasLágrimas rojas. Olga Sinclair es una destacada artista plástica panameña que, en sus creaciones recientes, se caracteriza por la utilización de colores vibrantes. Como decía María Zambrano, los colores nacen para hacernos la luz asequible. Y Sinclair los combina de forma que sean capaces de transmitirnos su energía y alegría de vivir. MuVIM La HuellaLa HuellaLa huella de Roma Fina Arts Llorenç BarberLlorenç BarberLLORENÇ BARBER.
LA CONSTRUCCIÓ D’UN NOSALTRES MÚLTIPLE CCCC Felipe PantoneFelipe PantoneFELIPE PANTONE.
PROSPECTIVA CCCC Juan OlivaresJuan OlivaresJUAN OLIVARES.
WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN.
ALGO PARECIDO A LA LIBERTAD CCCC La FotografíaLa FotografíaLa fotografía esencial en tiempos de Sorolla Bancaja Foundation MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 		30Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures. L'ETNO The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular. IVAM PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology. IVAM PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media. IVAM Gómez GarcíaGómez GarcíaVicente Gómez García. La passió artística per València. MuVIM FelicitadFelicitadFelicidad/Infelicidad
El cartell
com a mapa i territori
il•lustrat de les contradiccions
humanes MuVIM BeyondBeyondBeyond the fence. La instalación de Tania Blancoa 'Más allá de la cerca. The Green Bubble MuVIM Lágrimas RojasLágrimas RojasLágrimas rojas. Olga Sinclair es una destacada artista plástica panameña que, en sus creaciones recientes, se caracteriza por la utilización de colores vibrantes. Como decía María Zambrano, los colores nacen para hacernos la luz asequible. Y Sinclair los combina de forma que sean capaces de transmitirnos su energía y alegría de vivir. MuVIM La HuellaLa HuellaLa huella de Roma Fina Arts Llorenç BarberLlorenç BarberLLORENÇ BARBER.
LA CONSTRUCCIÓ D’UN NOSALTRES MÚLTIPLE CCCC Felipe PantoneFelipe PantoneFELIPE PANTONE.
PROSPECTIVA CCCC Juan OlivaresJuan OlivaresJUAN OLIVARES.
WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN.
ALGO PARECIDO A LA LIBERTAD CCCC La FotografíaLa FotografíaLa fotografía esencial en tiempos de Sorolla Bancaja Foundation MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 		31Treasures IITreasures IITreasures with history II. It is a well-known fact that objects have the capacity to establish emotional connections with people. The complexity of this relationship is the subject of Treasures with History and this is an exhibition to show the public the more than one hundred treasures. L'ETNO The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards IVAM The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular. IVAM PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology. IVAM PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media. IVAM Gómez GarcíaGómez GarcíaVicente Gómez García. La passió artística per València. MuVIM FelicitadFelicitadFelicidad/Infelicidad
El cartell
com a mapa i territori
il•lustrat de les contradiccions
humanes MuVIM BeyondBeyondBeyond the fence. La instalación de Tania Blancoa 'Más allá de la cerca. The Green Bubble MuVIM Lágrimas RojasLágrimas RojasLágrimas rojas. Olga Sinclair es una destacada artista plástica panameña que, en sus creaciones recientes, se caracteriza por la utilización de colores vibrantes. Como decía María Zambrano, los colores nacen para hacernos la luz asequible. Y Sinclair los combina de forma que sean capaces de transmitirnos su energía y alegría de vivir. MuVIM La HuellaLa HuellaLa huella de Roma Fina Arts Llorenç BarberLlorenç BarberLLORENÇ BARBER.
LA CONSTRUCCIÓ D’UN NOSALTRES MÚLTIPLE CCCC Felipe PantoneFelipe PantoneFELIPE PANTONE.
PROSPECTIVA CCCC Juan OlivaresJuan OlivaresJUAN OLIVARES.
WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN.
ALGO PARECIDO A LA LIBERTAD CCCC La FotografíaLa FotografíaLa fotografía esencial en tiempos de Sorolla Bancaja Foundation MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 		       
Categories
 Exhibit

OCEANOGRAFIC VALENCIA

The Oceanografic in Valencia excites with surprising insights. Situated in the spectacular surroundings of the City of Arts and Sciences it is the largest aquarium in Europe. Avant-garde architecture creates a magnificent environment for faithfully reproduced marine ecosystems.

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MARINA DE VALENCIA

La Marina de València is a unique district that combines business, cultural and public activities in a maritime environment. Nestled cheerfully between the main beach of Valencia and commercial harbour, it is a phenomenal space that excites and surprises.

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OCEANOGRAFIC

STREET ART

Dog on blue deck

Pets in Valencia