Skip to content

Things to do

EXHIBITIONS IN VALENCIA

Magnificent, wondrous, appealing, challenging, ridiculous and moving are just some of the expletives uttered at exhibitions in Valencia. Highly talented and famous local artists are shown regularly as well as some of the world’s greatest.

Artwork of Trump

Valencia is a vibrant city, where happenings include concerts, theatre performances, an exhibit vernissage or finissage. Spontaneous celebrations, an opening, anniversary or a pop-up market can be thoroughly enjoyable too.

Happenings often take place with surprisingly little publicity. Just a few local nationals attend. Many in the expat community of Valencia adore these gatherings.

The calendar below offers expats a quick, easy and simple way to discover current activities all on one page.

 

By Vincent Green, Jun 19 2018

< November 2023 >
MondayTuesdayWednesdayThursdayFridaySaturdaySunday
    1The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. IVAM The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular. IVAM PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology. IVAM MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 2The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. IVAM The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular. IVAM PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology. IVAM MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 3The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. IVAM The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular. IVAM PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology. IVAM MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 4The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. IVAM The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular. IVAM PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology. IVAM MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 5The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. IVAM The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular. IVAM PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology. IVAM MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum
6The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. IVAM The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular. IVAM PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology. IVAM MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 7The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. IVAM The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular. IVAM PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology. IVAM MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 8The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. IVAM The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular. IVAM PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology. IVAM MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 9The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. IVAM The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular. IVAM PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology. IVAM MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 10The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. IVAM The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular. IVAM PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology. IVAM MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 11The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. IVAM The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular. IVAM PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology. IVAM MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 12The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. IVAM The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular. IVAM PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology. IVAM MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum
13The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. IVAM The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular. IVAM PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology. IVAM MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 14The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. IVAM The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular. IVAM PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology. IVAM MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 15The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. IVAM The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular. IVAM PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology. IVAM MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 16The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. IVAM The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular. IVAM PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology. IVAM La HuellaLa HuellaLa huella de Roma Fina Arts MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 17The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. IVAM The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular. IVAM PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology. IVAM La HuellaLa HuellaLa huella de Roma Fina Arts Juan OlivaresJuan OlivaresJUAN OLIVARES.
WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN.
ALGO PARECIDO A LA LIBERTAD CCCC MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 		18The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. IVAM The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular. IVAM PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology. IVAM La HuellaLa HuellaLa huella de Roma Fina Arts Juan OlivaresJuan OlivaresJUAN OLIVARES.
WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN.
ALGO PARECIDO A LA LIBERTAD CCCC MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 		19The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. IVAM The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular. IVAM PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology. IVAM La HuellaLa HuellaLa huella de Roma Fina Arts Juan OlivaresJuan OlivaresJUAN OLIVARES.
WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN.
ALGO PARECIDO A LA LIBERTAD CCCC MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum
20The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. IVAM The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular. IVAM PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology. IVAM La HuellaLa HuellaLa huella de Roma Fina Arts Juan OlivaresJuan OlivaresJUAN OLIVARES.
WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN.
ALGO PARECIDO A LA LIBERTAD CCCC MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 		21The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. IVAM The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular. IVAM PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology. IVAM La HuellaLa HuellaLa huella de Roma Fina Arts Juan OlivaresJuan OlivaresJUAN OLIVARES.
WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN.
ALGO PARECIDO A LA LIBERTAD CCCC MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 		22The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. IVAM The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular. IVAM PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology. IVAM La HuellaLa HuellaLa huella de Roma Fina Arts Juan OlivaresJuan OlivaresJUAN OLIVARES.
WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN.
ALGO PARECIDO A LA LIBERTAD CCCC MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 		23The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. IVAM The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular. IVAM PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology. IVAM La HuellaLa HuellaLa huella de Roma Fina Arts Juan OlivaresJuan OlivaresJUAN OLIVARES.
WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN.
ALGO PARECIDO A LA LIBERTAD CCCC MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 		24The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. IVAM The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular. IVAM PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology. IVAM La HuellaLa HuellaLa huella de Roma Fina Arts Juan OlivaresJuan OlivaresJUAN OLIVARES.
WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN.
ALGO PARECIDO A LA LIBERTAD CCCC MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 		25The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. IVAM The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular. IVAM PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology. IVAM Lágrimas RojasLágrimas RojasLágrimas rojas. Olga Sinclair es una destacada artista plástica panameña que, en sus creaciones recientes, se caracteriza por la utilización de colores vibrantes. Como decía María Zambrano, los colores nacen para hacernos la luz asequible. Y Sinclair los combina de forma que sean capaces de transmitirnos su energía y alegría de vivir. MuVIM La HuellaLa HuellaLa huella de Roma Fina Arts Juan OlivaresJuan OlivaresJUAN OLIVARES.
WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN.
ALGO PARECIDO A LA LIBERTAD CCCC MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 		26The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. IVAM The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular. IVAM PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology. IVAM Lágrimas RojasLágrimas RojasLágrimas rojas. Olga Sinclair es una destacada artista plástica panameña que, en sus creaciones recientes, se caracteriza por la utilización de colores vibrantes. Como decía María Zambrano, los colores nacen para hacernos la luz asequible. Y Sinclair los combina de forma que sean capaces de transmitirnos su energía y alegría de vivir. MuVIM La HuellaLa HuellaLa huella de Roma Fina Arts Juan OlivaresJuan OlivaresJUAN OLIVARES.
WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN.
ALGO PARECIDO A LA LIBERTAD CCCC MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum
27The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. IVAM The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular. IVAM PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology. IVAM Lágrimas RojasLágrimas RojasLágrimas rojas. Olga Sinclair es una destacada artista plástica panameña que, en sus creaciones recientes, se caracteriza por la utilización de colores vibrantes. Como decía María Zambrano, los colores nacen para hacernos la luz asequible. Y Sinclair los combina de forma que sean capaces de transmitirnos su energía y alegría de vivir. MuVIM La HuellaLa HuellaLa huella de Roma Fina Arts Juan OlivaresJuan OlivaresJUAN OLIVARES.
WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN.
ALGO PARECIDO A LA LIBERTAD CCCC MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 		28The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. IVAM The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular. IVAM PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology. IVAM Lágrimas RojasLágrimas RojasLágrimas rojas. Olga Sinclair es una destacada artista plástica panameña que, en sus creaciones recientes, se caracteriza por la utilización de colores vibrantes. Como decía María Zambrano, los colores nacen para hacernos la luz asequible. Y Sinclair los combina de forma que sean capaces de transmitirnos su energía y alegría de vivir. MuVIM La HuellaLa HuellaLa huella de Roma Fina Arts Juan OlivaresJuan OlivaresJUAN OLIVARES.
WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN.
ALGO PARECIDO A LA LIBERTAD CCCC MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 		29The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. IVAM The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular. IVAM PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology. IVAM Lágrimas RojasLágrimas RojasLágrimas rojas. Olga Sinclair es una destacada artista plástica panameña que, en sus creaciones recientes, se caracteriza por la utilización de colores vibrantes. Como decía María Zambrano, los colores nacen para hacernos la luz asequible. Y Sinclair los combina de forma que sean capaces de transmitirnos su energía y alegría de vivir. MuVIM La HuellaLa HuellaLa huella de Roma Fina Arts Felipe PantoneFelipe PantoneFELIPE PANTONE.
PROSPECTIVA CCCC Juan OlivaresJuan OlivaresJUAN OLIVARES.
WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN.
ALGO PARECIDO A LA LIBERTAD CCCC La FotografíaLa FotografíaLa fotografía esencial en tiempos de Sorolla Bancaja Foundation MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 		30The GravesThe GravesThe Graves of Francoism. A project with a public service vocation that aims to promote democratic memory. Society has a moral obligation to undo the base of oblivion in order to never again repeat the most tragic episodes of our history. L'ETNO Juana FrancésJuana FrancésJuana Francés began her artistic activity in the 1950s, when the first symptoms of artistic renewal started to appear in Francoist Spain. Establishing connections with the avant-garde circles that gathered in Madrid, Juana Francés was the only female member of El Paso, a group born under the influence of American Abstract Expressionism and its gestural and material violence. However, she left the group in 1957, precisely because of the contempt for her art and her condition as a woman shown by some of the other members at a time when art was still an area dominated by men. IVAM PinazoPinazoPinazo and Public Space. The intention of this new exhibition on Ignacio Pinazo is to propose a new biopolitical focus on the part of his oeuvre made up of paintings and drawings that were largely produced by the artist for himself, and are therefore less academicist in their style and poetics. IVAM Being an ArtistBeing an ArtistBeing an Artist. Julio González. IVAM The SongsThe SongsThis magnificent collection of scores by Jaroslav Ježek, illustrated by the architect František Zelenka, was an opening for us to present, in some way, songs as one of the privileged spaces for the relation and emergence of the popular. IVAM PopularPopularThe popular is a form of imagination, often words, images and things, created through gestures, actions and celebrations, in many different ways. The popular has a performative, plastic, shifting nature, always metamorphosing, closer to ritual than monument, liturgy devoid of theology. IVAM PhotographyPhotographyPhotography in Between. This exhibition project focuses on the role of the photographic image as a device of special significance within artistic practices after 1950. Questions related to the body and identity, memory and history, the public and political sphere, the role of the media or the phenomenon of mass consumption have permeated artistic proposals, which have incorporated photography as an expressive language, code or document in a process of hybridisation of the artistic media. IVAM Lágrimas RojasLágrimas RojasLágrimas rojas. Olga Sinclair es una destacada artista plástica panameña que, en sus creaciones recientes, se caracteriza por la utilización de colores vibrantes. Como decía María Zambrano, los colores nacen para hacernos la luz asequible. Y Sinclair los combina de forma que sean capaces de transmitirnos su energía y alegría de vivir. MuVIM La HuellaLa HuellaLa huella de Roma Fina Arts Felipe PantoneFelipe PantoneFELIPE PANTONE.
PROSPECTIVA CCCC Juan OlivaresJuan OlivaresJUAN OLIVARES.
WHEN THE PROCESS BECOMES A PAINTING CCCC Raúl BelinchónRaúl BelinchónRAÚL BELINCHÓN.
ALGO PARECIDO A LA LIBERTAD CCCC La FotografíaLa FotografíaLa fotografía esencial en tiempos de Sorolla Bancaja Foundation MemoryMemoryThe archaeology of memory: the mass graves of Paterna The exhibition explores the story of the graves of the Franco regime from an archaeological perspective. It is a case study of a particular site: the municipal cemetery of Paterna, where more than 150 graves are documented and at least 2,237 people were murdered by the dictatorship between 1939 and 1956. Prehistoric History Museum 		     
Categories
 Exhibit

OCEANOGRAFIC VALENCIA

The Oceanografic in Valencia excites with surprising insights. Situated in the spectacular surroundings of the City of Arts and Sciences it is the largest aquarium in Europe. Avant-garde architecture creates a magnificent environment for faithfully reproduced marine ecosystems.

READ MORE

MARINA DE VALENCIA

La Marina de València is a unique district that combines business, cultural and public activities in a maritime environment. Nestled cheerfully between the main beach of Valencia and commercial harbour, it is a phenomenal space that excites and surprises.

READ MORE

OCEANOGRAFIC

STREET ART

Dog on blue deck

Pets in Valencia